索罗利亚与费舍尔的海滩题材绘画之比较分析
发布时间：2018-11-15 16:25
【摘要】：本研究以十九世纪西班牙艺术家华金·索罗利亚和二十世纪美国当代艺术家艾瑞克·费舍尔作为研究对象，通过对两位艺术家风格迥异的海滩题材作品进行对比分析，试图寻找出两者作品在绘画形式语言的差异以及两者艺术精神的不同。文章首先通过分析两位艺术家作品的绘画形式语言，并运用图像学，比较学以及心理学等科学方法，探究两者作品在构图、造型、笔触、色彩四个方面的差异。然后，分别论述了两位艺术家在精神诉求上的不同。华金·索罗利亚的艺术精神在于对故乡巴伦西亚海边生活的赞美和歌颂，而艾瑞克·费舍尔的艺术精神则是对特定阶层（美国中产阶级）的客观状态以及精神世界的记录与反省。同时，本研究还论述了两位艺术家各自的艺术教育背景以及艺术经历，并通过分析两位艺术家所立足的时代特征和艺术大环境，分别阐述了绘画发展背景对两者产生的影响，进而揭示出华金·索罗利亚与艾瑞克·费舍尔的海滩题材绘画产生差异的根源。针对比较后得到的价值和启示，笔者仍以两位艺术家为例，由小见大，，从作品形式语言的选择与艺术家精神诉求的关系，以及对艺术创新的思考两个方面进行了简要的概括和梳理，并总结出自己的一些心得，希望能为自己今后的学习和艺术创作带来一定的指导意义。
[Abstract]:In this study, Spanish artist Joaquin Soloria in 19th century and American contemporary artist Eric Fischer in 20th century were taken as the research objects, and the two artists' works of beach subject matter with different styles were compared and analyzed. This paper tries to find out the difference between the two works in the painting form language and the artistic spirit. Firstly, by analyzing the painting form language of the two artists' works, and using the scientific methods of graphology, comparision and psychology, this paper probes into the differences between the two works in four aspects: composition, modeling, stroke and color. Then, it discusses the difference between the two artists in the spiritual appeal. Joaquin Soloria's artistic spirit lies in the praise and praise of the seaside life in his hometown of Valencia. Eric Fisher's artistic spirit is the record and introspection of the specific class (American middle class) and the spiritual world. At the same time, this study also discusses the two artists' respective art education background and art experience, and through the analysis of the two artists based on the characteristics of the times and the art environment, respectively elaborated the painting development background on both the impact of the two. The differences between Joaquin Sololia and Erik Fischer's beach paintings are revealed. In view of the value and inspiration obtained from the comparison, the author still takes two artists as an example, from the perspective of Xiaowei, from the relationship between the choice of the formal language of the work and the spiritual appeal of the artist. The author summarizes and combs the two aspects of artistic innovation, and sums up some of his own experiences, hoping to bring certain guiding significance for his future study and artistic creation.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205
本文编号：2333805
[Abstract]:In this study, Spanish artist Joaquin Soloria in 19th century and American contemporary artist Eric Fischer in 20th century were taken as the research objects, and the two artists' works of beach subject matter with different styles were compared and analyzed. This paper tries to find out the difference between the two works in the painting form language and the artistic spirit. Firstly, by analyzing the painting form language of the two artists' works, and using the scientific methods of graphology, comparision and psychology, this paper probes into the differences between the two works in four aspects: composition, modeling, stroke and color. Then, it discusses the difference between the two artists in the spiritual appeal. Joaquin Soloria's artistic spirit lies in the praise and praise of the seaside life in his hometown of Valencia. Eric Fisher's artistic spirit is the record and introspection of the specific class (American middle class) and the spiritual world. At the same time, this study also discusses the two artists' respective art education background and art experience, and through the analysis of the two artists based on the characteristics of the times and the art environment, respectively elaborated the painting development background on both the impact of the two. The differences between Joaquin Sololia and Erik Fischer's beach paintings are revealed. In view of the value and inspiration obtained from the comparison, the author still takes two artists as an example, from the perspective of Xiaowei, from the relationship between the choice of the formal language of the work and the spiritual appeal of the artist. The author summarizes and combs the two aspects of artistic innovation, and sums up some of his own experiences, hoping to bring certain guiding significance for his future study and artistic creation.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205
【参考文献】
相关期刊论文 前1条
1 关晓辉;菲谢尔的写实绘画与美国人的现代生活[J];艺术探索;2002年04期
本文编号：2333805
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