阿尔寨石窟寺壁画中的线条研究
发布时间：2018-11-18 06:39
【摘要】：正壁画属于中国绘画体系中的一部分,在中国绘画中一个重要的特点是运用线描这种艺术语言来塑造形象。壁画线条运用的熟练程度,决定着壁画水平的高低。通过壁画线条的运用也反映了绘制者所处时代的经济、政治、文化、审美取向等相关信息。内蒙古阿尔寨石窟寺壁画经历了北魏、西夏、蒙元、北元等时期,在明朝末年毁于战火,壁画绘制终止。因为材料运用、民族特性、艺术审美习惯的不同,以及不同的历史机缘和政治因素,每个时期的阿尔寨石窟壁画对线条的运用产生
[Abstract]:The original fresco is a part of the Chinese painting system. An important feature in Chinese painting is the use of line drawing as an artistic language to shape the image. The proficiency in the use of murals' lines determines the level of murals. The use of mural lines also reflects the economic, political, cultural, aesthetic orientation and other relevant information of the era in which the drafters live. The murals of Alzhai Grottoes Temple in Inner Mongolia experienced the period of Northern Wei, Xixia, Mongolian Yuan and Northern Yuan, which were destroyed by the war in the late Ming Dynasty, and the painting of the murals ended. Because of the use of materials, national characteristics, artistic aesthetic habits, as well as different historical opportunities and political factors, the use of lines in each period of the Alzhai Grottoes murals came into being.
【作者单位】： 内蒙古大学艺术学院美术系;
【分类号】：J218.6
[Abstract]:The original fresco is a part of the Chinese painting system. An important feature in Chinese painting is the use of line drawing as an artistic language to shape the image. The proficiency in the use of murals' lines determines the level of murals. The use of mural lines also reflects the economic, political, cultural, aesthetic orientation and other relevant information of the era in which the drafters live. The murals of Alzhai Grottoes Temple in Inner Mongolia experienced the period of Northern Wei, Xixia, Mongolian Yuan and Northern Yuan, which were destroyed by the war in the late Ming Dynasty, and the painting of the murals ended. Because of the use of materials, national characteristics, artistic aesthetic habits, as well as different historical opportunities and political factors, the use of lines in each period of the Alzhai Grottoes murals came into being.
【作者单位】： 内蒙古大学艺术学院美术系;
【分类号】：J218.6
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