借古开今：黄秋园山水画艺术风格的寻迹与思考
发布时间：2018-11-18 11:21
【摘要】：黄秋园先生是20世纪中国画坛借古开今的山水画大师，是近现代中国传统山水画派中最具个人艺术特色的代表人物，他的艺术生涯是颇具传奇色彩的，生前寂寞守道，身后名声大噪。他在绘画艺术修养方面有着极为深厚学识，山水、花鸟、人物、界画、书法、诗文无不擅长，其中尤以山水画最为精湛。黄秋园一生都在致力于对传统山水画的实践与开拓，集诸家之长，自创语汇，在汲取传统山水画精髓的同时，加以自我融合与创新，形成了独具个人风格的山水画风貌。作为传统山水画的集大成者，他的山水画在笔墨风格、构图形式和创作题材上有着多种表现形式，笔墨技法方面他早年大胆吸收了宋人的雄浑博大、石涛的清新豪迈、石溪的苍茫老辣、王蒙的繁密苍古，黄宾虹的浑厚润泽晚年更是将积墨法与皴法运用发挥到了极致，，独创了不同于前人的“秋园皴”；而章法布局方面则融合了北宋的“全景式”山水图式和王蒙密匝繁复的构图，常常画的满纸云烟、密不透风、浑厚华滋。本文从山水画的笔墨、构图、题材、艺术思想等四个方面为主要着手点，对黄秋园的山水画艺术风格特点的形成进行了较全面的寻迹、梳理、思考和再认识。 本文通过大量作品分析与比较，剖析黄秋园艺术风格对中国传统山水画笔墨的继承与发展，进而寻迹与思考。全文由引言、正文六章和结语八个部分组成。引言从研究背景与意义、国内外研究现状和研究范围和方法三小节为后文黄秋园艺术风格寻迹与思考做铺垫。正文第一部分以生平简介和时代背景解析黄秋园在中国传统绘画中衰的历史情况下的“被发现”。第二部分以黄秋园在笔墨风格方面对中国传统山水画笔墨的继承与发展作为探讨重点，对笔墨与丘壑、积墨法、皴法进行了较为全面的梳理。第三部分则着力于分析“全景式”和密匝繁复的构图形式在黄秋园山水画中的表现。第四部分析了他的山水画的创作题材的来源，以庐山为例将沈周、关仝创作的同一题材的作品进行了比对分析。最后一部分论述了黄秋园山水画艺术对当代中国山水画的发展与影响。
[Abstract]:Mr. Huang Qiuyuan is a master of landscape painting in Chinese painting circles in the 20th century. He is the most representative figure in modern Chinese traditional landscape painting schools with the most individual artistic characteristics. His artistic career is legendary, and he was lonely and conservative. There's a lot of fame behind you. He has a very profound knowledge of painting art, landscape, flowers and birds, figures, painting, calligraphy, poetry, especially the most exquisite landscape painting. Huang Qiuyuan is devoted to the practice and development of traditional landscape painting all his life. He gathers the strong points of various families and creates his own vocabulary. While absorbing the essence of traditional landscape painting, he combines and innovates himself to form a unique style of landscape painting. As a master of traditional landscape painting, his landscape painting has many forms of expression in the style, composition and subject matter of painting and painting. In his early years, he boldly absorbed the great power of the Song Dynasty and the fresh and heroic style of Shi Tao. Shixi's boundless old hot, Wang Meng's dense Canggu, Huang Binhong's rich moist late years is will accumulate the ink method and the chapping method to exert to the extreme, has created the "autumn garden chapped" which is different from the predecessor; The layout of the composition is a combination of the Northern Song "panoramic" landscape pattern and Wang Meng's dense and complicated composition, often painted full of paper smoke, airtight, rich Huazhi. From four aspects of landscape painting, such as brushwork, composition, subject matter and artistic thought, this paper makes a comprehensive search, combing, pondering and rethinking on the formation of Huangqiuyuan's artistic style of landscape painting. Through the analysis and comparison of a large number of works, this paper analyzes the inheritance and development of Huang Qiuyuan's artistic style to the traditional Chinese landscape painting, and then looks for a trace and thinks about it. The full text consists of introduction, six chapters and conclusion. Introduction from the research background and significance, domestic and foreign research status, research scope and methods of three sections for the later Huangqiuyuan art style search and thinking. The first part of the text analyzes Huang Qiuyuan's "being discovered" in the historical situation of the decline of Chinese traditional painting with a brief introduction of his life and background of the times. The second part focuses on the inheritance and development of traditional Chinese landscape painting in the aspect of Huang Qiuyuan's style of painting and ink. The third part focuses on the analysis of the "panorama" and the complex composition of the form in Huangqiuyuan landscape painting performance. The fourth part analyzes the source of his landscape painting, taking Lushan as an example, compares the works of Shen Zhou and Guan Tong on the same subject. The last part discusses the development and influence of Huangqiuyuan landscape painting art on contemporary Chinese landscape painting.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
本文编号：2339904
[Abstract]:Mr. Huang Qiuyuan is a master of landscape painting in Chinese painting circles in the 20th century. He is the most representative figure in modern Chinese traditional landscape painting schools with the most individual artistic characteristics. His artistic career is legendary, and he was lonely and conservative. There's a lot of fame behind you. He has a very profound knowledge of painting art, landscape, flowers and birds, figures, painting, calligraphy, poetry, especially the most exquisite landscape painting. Huang Qiuyuan is devoted to the practice and development of traditional landscape painting all his life. He gathers the strong points of various families and creates his own vocabulary. While absorbing the essence of traditional landscape painting, he combines and innovates himself to form a unique style of landscape painting. As a master of traditional landscape painting, his landscape painting has many forms of expression in the style, composition and subject matter of painting and painting. In his early years, he boldly absorbed the great power of the Song Dynasty and the fresh and heroic style of Shi Tao. Shixi's boundless old hot, Wang Meng's dense Canggu, Huang Binhong's rich moist late years is will accumulate the ink method and the chapping method to exert to the extreme, has created the "autumn garden chapped" which is different from the predecessor; The layout of the composition is a combination of the Northern Song "panoramic" landscape pattern and Wang Meng's dense and complicated composition, often painted full of paper smoke, airtight, rich Huazhi. From four aspects of landscape painting, such as brushwork, composition, subject matter and artistic thought, this paper makes a comprehensive search, combing, pondering and rethinking on the formation of Huangqiuyuan's artistic style of landscape painting. Through the analysis and comparison of a large number of works, this paper analyzes the inheritance and development of Huang Qiuyuan's artistic style to the traditional Chinese landscape painting, and then looks for a trace and thinks about it. The full text consists of introduction, six chapters and conclusion. Introduction from the research background and significance, domestic and foreign research status, research scope and methods of three sections for the later Huangqiuyuan art style search and thinking. The first part of the text analyzes Huang Qiuyuan's "being discovered" in the historical situation of the decline of Chinese traditional painting with a brief introduction of his life and background of the times. The second part focuses on the inheritance and development of traditional Chinese landscape painting in the aspect of Huang Qiuyuan's style of painting and ink. The third part focuses on the analysis of the "panorama" and the complex composition of the form in Huangqiuyuan landscape painting performance. The fourth part analyzes the source of his landscape painting, taking Lushan as an example, compares the works of Shen Zhou and Guan Tong on the same subject. The last part discusses the development and influence of Huangqiuyuan landscape painting art on contemporary Chinese landscape painting.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
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本文编号：2339904
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