用传统的工笔画表现当代民族风情之研究
发布时间：2018-11-21 16:03
【摘要】：少数民族风情作为中国美术题材的重要组成部分,以其鲜明的时代特征和多姿多彩的表现形式,成为中华民族灿烂文明中极为绚丽的亮点。少数民族的生活和风土人情及其内含的民族文化精神,历来是广大美术工作者创作素材的源头活水。千百年来,产生了无数风格各异的各门类优秀的美术作品。但是时代在向前发展,社会在急剧变化,经济高度发达的二十一世纪,少数民族地区发生了巨大的变化,生活更加富裕开放,更加现代化,这样就引发了传统与现代的碰撞、冲突,少数民族传统的民族风俗习俗逐渐淡化,反映少数民族传统风情画就很有可能出现衰退、变异、甚至消亡。而工笔画在描绘少数民族风情,传承少数民族风情、民族文化上有其独特的优势,它既不抛弃传统的,又面对现实的,不断创新。所以,扎根于少数民族的生活,如实描绘他们的生活风情,传承他们灿烂的文化是历史赋予工笔画者的必然选择。 笔者通过实地考察、查阅资料、分析比较、创作实践等环节,对用传统的工笔画表现当代少数民族风情做了相应的研究和分析。 本文共分为四章：第一章是绪论,简要描述了写论文的背景,并对论文研究的目的和意义进行了详细的分析,然后将论文研究的内容、框架和研究方法进行了叙述；第二章是对历代民族风情绘画的代表作品进行赏析,进一步对这些古代和现当代民族风情工笔画作品解析,归纳出各个时期的表现少数民族风情画作的艺术特点；第三章是结合实地考察与体验及所感所悟,借他山之石以攻玉,从他人的画作中分析学习如何运用工笔画来记录当地少数民族风情的规律；第四章以当代工笔画的形式进行藏族和花腰傣族的风情创作,结合绘画的亲身感受,总结实践体会和经验教训,将研究提高到理论高度,让实践技能更加科学化。
[Abstract]:As an important part of Chinese fine arts, ethnic customs and customs have become a brilliant highlight in the splendid civilization of the Chinese nation with its distinctive characteristics of the times and various forms of expression. The life, local customs and the spirit of national culture of ethnic minorities have always been the source of creative materials for the majority of art workers. For thousands of years, there have been numerous fine art works of different styles. But the times are moving forward, the society is changing dramatically, and in the 21 century, when the economy is highly developed, great changes have taken place in ethnic minority areas, and life has become richer, more open and more modern. This has led to the collision between tradition and modernity. Conflicts, ethnic customs and customs gradually desalinate, reflecting the traditional customs of ethnic minorities are likely to decline, variation, or even die out. The fine brushwork depicts the customs of ethnic minorities, inherits the customs of ethnic minorities, national culture has its unique advantages, it does not abandon the traditional, but also face the reality, constantly innovation. Therefore, taking root in the life of ethnic minorities, describing their living style truthfully and inheriting their splendid culture is the inevitable choice given by history to the painters. Through field investigation, reference, analysis and comparison, creative practice and other links, the author makes a corresponding study and analysis on the expression of contemporary ethnic minority customs with traditional fine brushwork. This paper is divided into four chapters: the first chapter is an introduction, a brief description of the background of the paper, and a detailed analysis of the purpose and significance of the paper, and then the content of the paper, framework and research methods are described; The second chapter is to the past national customs painting on behalf of the works of appreciation, and further analysis of these ancient and contemporary national customs of fine brushwork works, summed up the performance of each period of ethnic customs painting art characteristics; The third chapter is the combination of field inspection and experience and feelings of understanding, using the stone of other mountains to attack jade, from the paintings of others to learn how to use fine brushwork to record the laws of local ethnic customs; The fourth chapter carries on the Tibetan and Huayao Dai nationality amorous feelings creation in the form of contemporary meticulous brushwork, combines the painting personal experience, summarizes the practice experience and the experience lesson, raises the research to the theoretical height, lets the practice skill more scientific.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
[Abstract]:As an important part of Chinese fine arts, ethnic customs and customs have become a brilliant highlight in the splendid civilization of the Chinese nation with its distinctive characteristics of the times and various forms of expression. The life, local customs and the spirit of national culture of ethnic minorities have always been the source of creative materials for the majority of art workers. For thousands of years, there have been numerous fine art works of different styles. But the times are moving forward, the society is changing dramatically, and in the 21 century, when the economy is highly developed, great changes have taken place in ethnic minority areas, and life has become richer, more open and more modern. This has led to the collision between tradition and modernity. Conflicts, ethnic customs and customs gradually desalinate, reflecting the traditional customs of ethnic minorities are likely to decline, variation, or even die out. The fine brushwork depicts the customs of ethnic minorities, inherits the customs of ethnic minorities, national culture has its unique advantages, it does not abandon the traditional, but also face the reality, constantly innovation. Therefore, taking root in the life of ethnic minorities, describing their living style truthfully and inheriting their splendid culture is the inevitable choice given by history to the painters. Through field investigation, reference, analysis and comparison, creative practice and other links, the author makes a corresponding study and analysis on the expression of contemporary ethnic minority customs with traditional fine brushwork. This paper is divided into four chapters: the first chapter is an introduction, a brief description of the background of the paper, and a detailed analysis of the purpose and significance of the paper, and then the content of the paper, framework and research methods are described; The second chapter is to the past national customs painting on behalf of the works of appreciation, and further analysis of these ancient and contemporary national customs of fine brushwork works, summed up the performance of each period of ethnic customs painting art characteristics; The third chapter is the combination of field inspection and experience and feelings of understanding, using the stone of other mountains to attack jade, from the paintings of others to learn how to use fine brushwork to record the laws of local ethnic customs; The fourth chapter carries on the Tibetan and Huayao Dai nationality amorous feelings creation in the form of contemporary meticulous brushwork, combines the painting personal experience, summarizes the practice experience and the experience lesson, raises the research to the theoretical height, lets the practice skill more scientific.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
【参考文献】
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