明清唐诗诗意画的文献辑考与研究

发布时间：2018-11-22 13:06

【摘要】：明清两朝是唐诗学的繁荣期,也是中国绘画发展的一个重要时期。在这个近六百年的时段里出现了一个耐人寻味的艺术现象——画家们大量地创作唐诗诗意画。唐诗自身具备了一些可以入画的先天质素,所以在唐代就已经有人把它作为画题来耕耘,宋元又有了进一步的拓展。这些都为明清画家做出了重要的示范。明清时期中国出现了资本主义萌芽,市民阶层壮大,同时又由于中国传统文化近两千年的积淀,所以,整个社会的文化程度普遍很高。这些都是明清唐诗诗意画产生的背景和基础,同时也对唐诗诗意画的创作提出了一个较高的要求。明清画家创作唐诗诗意画的动因有多种,甚至可以说是多种的混合。他们创作的唐诗诗意画也有多种类型,要而言之,有显型与隐型,秀句与整篇,单幅与组图,先行与追题等。虽然经过明清易代,入画唐诗的主题、题材在明清两朝并没有多大的变化,闲适、安逸、隐居、友情之类的唐诗占绝对优势。这再一次印证了钱锺书的话“相当于南宗画风的诗不是诗中的高品或正宗,而相当于神韵派诗风的画却是画中的高品或正宗”。明清画家创作与后人整理往往是不同步的,这就产生了两个问题：异文与误编。本文仅就笔者经眼的文献对这两个问题进行梳理。古人对绘画的分类非常琐细,本文采用今人的基本分类(山水画、人物画、花卉画)去看待唐诗入画产生的硕果。论文指出,唐诗为中国山水画的创作方法、一些历史人物的定型、中国花卉的人文内涵等做出了巨大的贡献。本文也对明清唐诗诗意画进行了个案的文献考察,尝试着用图像学的理论精华与传统的考据方法对若干明清唐诗诗意画考释。最后就互文产生的另外三个问题,即明清画家的诗学素养、同题之作及因唐诗诗意画而产生的题画诗再做探析。本论文的附录有三个,这些附录是对明清唐诗诗意画的文献辑考,分别为唐诗入画一览表,唐诗入画年表,明清画家唐诗诗意画创作一览表。
[Abstract]:Ming and Qing dynasties were the prosperous period of Tang poetics and an important period of the development of Chinese painting. In this period of nearly 600 years, there is an intriguing artistic phenomenon: the painters create a large number of Tang poetry paintings. Tang poetry itself has some innate qualities that can be painted, so in the Tang Dynasty, it has been cultivated as a painting title, and the Song and Yuan dynasties have further expanded. These all made an important demonstration for the Ming and Qing painters. During the Ming and Qing dynasties, capitalism sprout in China, and the citizen class grew stronger. At the same time, because of the accumulation of Chinese traditional culture in 2000 years, the whole society's cultural level was generally very high. These are the background and foundation of Tang poetry painting in Ming and Qing dynasties, and put forward a higher request to the creation of Tang poetry painting. In Ming and Qing dynasties, there were many kinds of motives for the artists to create poetry paintings in Tang Dynasty, or even a mixture of them. There are also many types of poetic paintings in Tang poetry. In other words, there are explicit and implicit types, show sentences and the whole, single and group pictures, first and the title, and so on. Although after the Ming and Qing dynasties, painting the theme of Tang poetry, the subject matter in the Ming and Qing dynasties and not much change, leisure, ease, seclusion, friendship and other Tang poetry has an absolute advantage. This once again confirms Qian Zhongshu's words, "A poem equivalent to the painting style of Nanzong is not a high or authentic poem, but a painting equivalent to a rhyme style is a high quality or authentic painting." The creation of painters in Ming and Qing dynasties was often out of step with the arrangement of later generations, which resulted in two problems: foreign writing and false editing. In this paper, the author only through the eyes of the literature on these two issues are combed. The ancient classification of painting is very trivial, this paper uses the basic classification of modern people (landscape painting, figure painting, flower painting) to view the Tang poetry into painting produce fruitful results. The paper points out that Tang poetry has made great contributions to the creation method of Chinese landscape painting, the styling of some historical figures and the humanistic connotation of Chinese flowers. This article also carries on the case literature investigation to the Ming and Qing Dynasty Tang poetry poetic painting, tries to use the image science theory essence and the traditional textual research method to some Ming and Qing Dynasty Tang poetry poetic painting textual research explanation. At last, the author analyzes the other three problems of the intertextuality, namely, the poetics accomplishment of the artists in Ming and Qing dynasties, the works of the same subject and the poems of the Tang poetry. There are three appendices in this thesis. These appendices are a survey of the literature on poetry of Tang Dynasty in Ming and Qing dynasties. They are respectively a list of poems in Tang Dynasty, a chronology of poems in Tang Dynasty, and a list of poetic paintings of Tang poems by Ming and Qing painters.
【学位授予单位】：西北大学
【学位级别】：博士
【学位授予年份】：2013
【分类号】：I207.22;J212

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