似真似幻“倒影月”:古画中的一类独特物象

发布时间：2018-11-22 13:52

【摘要】：自宋代始,中国古代绘画中月的形象并不少见。然从传世的画作来看,画中还时常出现"倒影月",这个现象常被人们忽略。值得研究的是,与西方绘画不同,中国古画仅表现倒影中的月这一物象,极少表现全景倒影。本文将传世绘画作品作为研究文本,将画中"倒影月"显现的文化源头分为三类,即"倒影月"的文哲"互文"(包括抒情文学、老庄哲学以及叙事文学中的拼贴作用)、佛教传统(尤其是禅宗文化对"倒影月"的特殊诠释)、观月节庆民俗(上元、中元和中秋节等);最后着重阐述了宋代后的经典女性图像母题"掬水月在手"乃是由文学与民俗人类学(即唐代士人诗歌与古代女性的月崇拜)的融合演变而成。同时,笔者以一例最早的西方"倒影月"画为案例,作了中西画中"倒影月"呈现方式的比较,点明了"倒影月"在画中显现的共同内涵即为映月抒情。
[Abstract]:Since the Song Dynasty, the image of the moon in ancient Chinese painting is not uncommon. However, from the ancient paintings, pictures often appear in the "reflection of the moon", this phenomenon is often ignored. What is worth studying is that, unlike western paintings, Chinese ancient paintings show only the reflection of the moon, and rarely the panoramic reflection. In this paper, as the research text, the author divides the cultural sources of "reflection Moon" into three categories, that is, "reflection Moon" intertextuality "(including lyric literature, Laozhuang philosophy and the collage of narrative literature). Buddhist tradition (especially the special interpretation of Zen culture on the reflection of the Moon) and the folklore of observing the Moon Festival (Shangyuan, Zhongyuan and Mid-Autumn Festival, etc.); In the end, the paper expounds that the motif of the classic female image after the Song Dynasty, "the Moon in the hand", is evolved from the fusion of literature and folk anthropology (that is, the poetry of the scholars in the Tang Dynasty and the lunar worship of the ancient women). At the same time, taking a case of the earliest western "reflection moon" as an example, the author makes a comparison of the "reflection moon" in the Chinese and western paintings, and points out that the common connotation of "reflecting the moon" in the painting is the lyric emotion of reflecting the moon.
【作者单位】：上海戏剧学院舞台美术系;
【基金】：2015年国家社科基金“西方汉学家视域中的中国视觉艺术史研究”(项目批准号:15BWW014)阶段成果
【分类号】：J212

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