人性复归与新时期美术的突围（1976-1984）
发布时间：2018-11-24 09:18
【摘要】：1976至1984年这段时间在中国美术史上具有十分重要的意义。这个阶段是国内当代艺术史上具有重大价值的阶段。1976年10月,以"四人帮"为领导的组织的崩塌标志着"文化大革命"对艺术禁锢的解除。"人性"话题成为讨论的焦点,艺术家们才又重新审视自己与世界的关系。随着,1978年,召开了十一届三中全会,对"文革"的沉痛教训做了总结,各个领域内也开始了拨乱反正,以思想解放为基础全面实行人的解放。美术界对理论和创作上的重大问题也进行了广泛讨论,本篇文章从三个部分论述人性复归对新时期美术的突破性影响。第一章论述了 "后文革美术"阶段,即1976年至1978年。这个时期中国美术届还挣扎于"文化大革命"的艺术定势中。艺术创作的"中心"模式仍然作用于艺术家的思维中。高考的恢复以及"解放思想,实事求是"口号的提出,使艺术主体逐渐复苏。艺术创作虽未完全摆脱"文革"的艺术定势,但已经开始向现实主义艰难回归。第二章从艺术实践的角度出发,论述了"人道美术"时期,艺术家们在实践上的探索与突破。人道主义意识的觉醒是这个时期美术创作的主题,这个时期的美术已经逐渐脱离"文革"模式,艺术家开始关注政治之外的人性美。本章以"伤痕美术"、"星星美展"和"乡土美术"三个美术事件为例,剖析人道主义回归对艺术创作引起的变化,意在讨论两者之间的因果关系,力求论述"人性"与新时期美术创作之间的必然联系。第三章则是论述新时期艺术理论的觉醒,重点围绕两大讨论主题展开,即"形式美"、"自我表现"。新时期艺术主体还未完全自觉,理论的革新还只停留在艺术形态的问题上,因此新时期理论思潮主要是对诸如形式美、自我表现和艺术功能的讨论。
[Abstract]:The period from 1976 to 1984 is of great significance in the history of Chinese art. This stage is of great value in the history of contemporary art in China. In October 1976, the collapse of the organization led by the Gang of four marked the lifting of artistic imprisonment by the "Cultural Revolution". " The topic of human nature becomes the focus of discussion, and artists reexamine their relationship with the world. With the convening of the third Plenary session of the Eleventh Central Committee in 1978, the painful lessons of the "Cultural Revolution" were summed up, and people's liberation was carried out in all fields on the basis of ideological emancipation. The art circle has also carried on the extensive discussion to the theory and the creation important question, this article from three parts discusses the humanity to return to the breakthrough influence to the new period fine arts. The first chapter discusses the art stage of the post-Cultural Revolution, from 1976 to 1978. In this period, the art circles of China were still struggling with the art pattern of the Cultural Revolution. The "center" mode of artistic creation still acts on the artist's thinking. The restoration of the college entrance examination and the slogan "emancipate the mind and seek truth from facts" gradually revived the art subject. Although artistic creation has not completely got rid of the art pattern of the Cultural Revolution, it has begun to return to realism. The second chapter discusses the exploration and breakthrough of the artists in practice during the period of "humanity art" from the angle of artistic practice. The awakening of humanitarianism consciousness is the theme of art creation in this period, the art of this period has gradually separated from the "Cultural Revolution" model, the artist began to pay attention to the human beauty outside politics. This chapter takes "scar Art", "Star Art Exhibition" and "Native Art" as examples to analyze the changes caused by humanitarian return to artistic creation, in order to discuss the causal relationship between them. Strive to expound the inevitable connection between "humanity" and art creation in the new period. The third chapter discusses the awakening of art theory in the new period, focusing on two main topics of discussion, namely, "formal beauty" and "self-expression". The main body of art in the new period has not been fully conscious, and the innovation of theory is still confined to the question of artistic form. Therefore, the trend of thought of theory in the new period is mainly about the discussion of such as formal beauty, self-expression and artistic function.
【学位授予单位】：南京大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J209.2
，
本文编号：2353114
[Abstract]:The period from 1976 to 1984 is of great significance in the history of Chinese art. This stage is of great value in the history of contemporary art in China. In October 1976, the collapse of the organization led by the Gang of four marked the lifting of artistic imprisonment by the "Cultural Revolution". " The topic of human nature becomes the focus of discussion, and artists reexamine their relationship with the world. With the convening of the third Plenary session of the Eleventh Central Committee in 1978, the painful lessons of the "Cultural Revolution" were summed up, and people's liberation was carried out in all fields on the basis of ideological emancipation. The art circle has also carried on the extensive discussion to the theory and the creation important question, this article from three parts discusses the humanity to return to the breakthrough influence to the new period fine arts. The first chapter discusses the art stage of the post-Cultural Revolution, from 1976 to 1978. In this period, the art circles of China were still struggling with the art pattern of the Cultural Revolution. The "center" mode of artistic creation still acts on the artist's thinking. The restoration of the college entrance examination and the slogan "emancipate the mind and seek truth from facts" gradually revived the art subject. Although artistic creation has not completely got rid of the art pattern of the Cultural Revolution, it has begun to return to realism. The second chapter discusses the exploration and breakthrough of the artists in practice during the period of "humanity art" from the angle of artistic practice. The awakening of humanitarianism consciousness is the theme of art creation in this period, the art of this period has gradually separated from the "Cultural Revolution" model, the artist began to pay attention to the human beauty outside politics. This chapter takes "scar Art", "Star Art Exhibition" and "Native Art" as examples to analyze the changes caused by humanitarian return to artistic creation, in order to discuss the causal relationship between them. Strive to expound the inevitable connection between "humanity" and art creation in the new period. The third chapter discusses the awakening of art theory in the new period, focusing on two main topics of discussion, namely, "formal beauty" and "self-expression". The main body of art in the new period has not been fully conscious, and the innovation of theory is still confined to the question of artistic form. Therefore, the trend of thought of theory in the new period is mainly about the discussion of such as formal beauty, self-expression and artistic function.
【学位授予单位】：南京大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J209.2
，
本文编号：2353114
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