丰子恺的童心崇拜与艺术创造

发布时间：2018-11-25 07:13

【摘要】：真情实感是一切艺术创作的缘起和动因,应贯穿于创作的全过程。同时,也是评价艺术作品成功与否的重要标准。丰子恺充满童趣的绘画作品,之所以脍炙人口,为几代人所激赏,根本原因是他的创作,有童心一般的纯真和自肺腑的真情实感。他用画笔将儿童的心灵世界诗化了,把儿童特有的真、善、美化为笔墨,以巨大的艺术魅力证明了赤子之心对于艺术创作的重要性。可以这样说,没有以童心为本位的艺术观和创作思想,就不会出现像丰子恺这样充满童真的作品。士先器识而后文艺,先做人而后从艺,是弘一法师对丰子恺的教导,也是恩师对门生最重要的影响。保持一颗赤子之心,不仅对丰子恺的艺术创作具有重要意义,而且对于所有从艺者都无比重要。童心应是艺术家必备的品质。作为绘画创作的初学者,我们不仅要向大师们学习精湛的表现技法,更要学习他们的艺术精神,体味他们独到的艺术用心。丰子恺是儿童忠实的崇拜者,认为孩子是真正意义上的画家。儿童充满感情地作画,他们总是竭尽全力,激情饱满地表现他们心中的大千世界。儿童作画时,不会关注线条是否优美流畅,造型是否精准,他们往往跨过技术层面的问题直抒心意。因此,成人在观看儿童画时,会被画面中扑面而来的真诚所打动。丰子恺看到了儿童画的这种魅力,于是他借助儿童的视角,试图描绘出他们眼中的世界,将他们那份纯真完美呈现在自己的作品中。在其早期的文字和画作中,丰子恺都不吝笔墨地赞美那个离他越来越远的孩童时代。这不仅体现出了丰子恺对孩子的慈爱之心,更多的是他对儿童纯净精神世界的向往。丰子恺是中国近现代全才式的艺术家,他所涉及的艺术领域非常广泛,有绘画、文学、音乐、翻译以及艺术教育等。本文以他绘画作品为考察对象,讨论其作品体现出的童心、童趣问题。童心与童趣既有关联又有区别,是内涵不同的两个概念。童心特指作者作画时的立场和创作心态,童趣是这种心态在画面中所透露出的艺术气息,是童心呈现于画面的灵光,是艺术效果。讨论主要围绕丰子恺的艺术创作思想和美学理念展开,不涉及其他儿童画以及哲学层面上的问题。
[Abstract]:True feeling is the origin and motivation of all artistic creation and should run through the whole process of creation. At the same time, it is also an important criterion to evaluate the success of works of art. Feng Zikai's paintings, which are full of childlike interest, enjoy great popularity for generations. The fundamental reason is his creation, childlike innocence and genuine feelings. He poeticized the children's world of mind with paintbrush, turned the special truth, kindness and beautification of children into ink and pen, and proved the importance of the heart of children to art creation with great artistic charm. It can be said that without a childlike view of art and creative ideas, there would be no such works full of innocence as Feng Zikai. The teacher's teaching to Feng Zikai and the teacher's most important influence on the students. It is important not only to Feng Zikai's artistic creation, but also to all artists. Childishness should be an essential quality for an artist. As beginners of painting, we should not only learn from the masters exquisite performance techniques, but also learn their artistic spirit, appreciate their unique artistic intentions. Feng Zikai is a faithful admirer of children, who believe that children are painters in the true sense. Children paint with emotion. They always do their best and show their passion for the world in their hearts. When children paint, they don't pay attention to whether the lines are beautiful and smooth and the shape is accurate, they often step over the technical level to express their feelings. Therefore, when adults look at children's paintings, they will be moved by the sincerity of their faces. Feng Zikai saw the charm of children's paintings, so he used children's perspective to describe the world in their eyes and to present their innocence perfectly in his works. In his early writings and paintings, Feng Zikai praises his childhood as a child. This not only reflects Feng Zikai's love for children, but also his yearning for the pure spiritual world of children. Feng Zikai is a versatile artist in modern China. He covers a wide range of art fields, including painting, literature, music, translation and art education. Taking his paintings as the object of investigation, this paper discusses the childlike and childlike problems embodied in his works. Childlike heart and childlike interest are related and different, they are two concepts with different connotations. Tong Xin especially refers to the position and creative mentality of the author when painting. Childlike interest is the artistic breath revealed by this mentality in the picture, it is the spiritual light of the child's heart in the picture, and it is the artistic effect. The discussion mainly revolves around Feng Zikai's artistic creation thought and the esthetics idea, does not involve the other children's painting as well as the philosophy aspect question.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J219
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本文编号：2355246