新山水画中非地域性的“岭南”时空——从两幅新山水画长卷的时空叙事展开的分析
发布时间：2018-11-25 08:56
【摘要】：20世纪50、60年代,广东地区的新山水画不同于那一时期地方特色鲜明的江苏画院、长安画派的新山水画,与本色的岭南地域风情似乎关系也不大。作品表现总的来说也是写实与传统相结合的手法,似乎看不出什么地方特色,和全国山水画改革的模式、进度相当吻合。这是中国画改革中一种特殊的地方模式?那么广东地区的新山水画属于本地性的,还是全国性的?
[Abstract]:In the 1950s and 1960s, the new landscape painting in Guangdong was different from the Jiangsu painting institute with distinctive local characteristics in that period. The new landscape painting of Changan painting school seemed to have little to do with the local customs of Lingnan region. Generally speaking, the performance of the works is a combination of realism and tradition. It seems that there are no local characteristics, and the pattern of national landscape painting reform is quite consistent with the progress. Is this a special local model in the reform of Chinese painting? So the new landscape paintings in Guangdong are local or national?
【作者单位】： 四川美术学院国画系;
【分类号】：J212
，
本文编号：2355525
[Abstract]:In the 1950s and 1960s, the new landscape painting in Guangdong was different from the Jiangsu painting institute with distinctive local characteristics in that period. The new landscape painting of Changan painting school seemed to have little to do with the local customs of Lingnan region. Generally speaking, the performance of the works is a combination of realism and tradition. It seems that there are no local characteristics, and the pattern of national landscape painting reform is quite consistent with the progress. Is this a special local model in the reform of Chinese painting? So the new landscape paintings in Guangdong are local or national?
【作者单位】： 四川美术学院国画系;
【分类号】：J212
，
本文编号：2355525
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2355525.html
