维亚尔绘画作品的意象美研究
发布时间：2018-11-25 14:18
【摘要】：爱德华·维亚尔是法国纳比派的代表画家,维亚尔擅长在平凡中找到丰富,越是单纯的场景他就描绘的越是感人,他依靠着自己内心所熟悉的东西,室内的现实,某种过去的现实。中国传统美学认为,美的核心是意象,艺术的核心也是意象,而作为意象最基本的要求就是要达到情与景的交融。“情”与“景”的交融是衡量能否达到审美意象的最基本的也是最核心的标准,只有在真正意义上做到将自我内化的情感融入到客观对象中去,做到景中含情,情不虚景。从这里我们不难看出,维亚尔的绘画作品所呈现的东方审美的倾向,尤其是中国古典美学中基本也是核心概念——“意象”。在艺术作品的创作里面,只有将自己内心深处的情感更好的融入到所表达的景象中,表达出的情感才会具有他的深度和高度。维亚尔将自己内化的情感融入到家庭情景中去,从而形成一幅幅情景交融的意象美世界,他所挖掘出的如同诗一般的意境也得益于自己对色彩的驾驭和掌控能力,那些质朴静谧的灰色调色彩、精致繁琐的装饰性图案以及极具象征意味的色彩让维亚尔笔下的生活情景变得极具感染力,形成维亚尔绘画作品中独具个人风格的意象美。
[Abstract]:Edward Villar is the representative painter of the French Nabidist. Viar is good at finding richness in the ordinary. The more simple the scene, the more touching he depicts. He relies on what he knows in his heart, the reality of the interior. Some kind of past reality. Chinese traditional aesthetics holds that the core of beauty is image, and the core of art is image, and the most basic requirement of image is to achieve the blending of emotion and scenery. The blending of "emotion" and "scenery" is the most basic and core standard to measure whether or not the aesthetic image can be achieved. Only in the real sense can the emotion of self-internalization be integrated into the objective object, and the emotion in the scene contain the emotion and the emotion is not empty. It is not difficult to see from this that the oriental aesthetic tendency of the paintings of Uyar, especially the core concept of Chinese classical aesthetics, is "image". In the creation of works of art, only by better integrating the deep feelings into the expression of the scene, the expression of emotion will have his depth and height. Vyar incorporated his internalized emotions into the family scene, thus forming a world of images and beauty. The artistic conception he excavated like a poem also benefited from his ability to master and control color. Those simple and quiet gray colors, delicate decorative patterns and extremely symbolic color make the life scene in Vyar's works very infectious, forming the unique personal style of the image beauty in his paintings.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
[Abstract]:Edward Villar is the representative painter of the French Nabidist. Viar is good at finding richness in the ordinary. The more simple the scene, the more touching he depicts. He relies on what he knows in his heart, the reality of the interior. Some kind of past reality. Chinese traditional aesthetics holds that the core of beauty is image, and the core of art is image, and the most basic requirement of image is to achieve the blending of emotion and scenery. The blending of "emotion" and "scenery" is the most basic and core standard to measure whether or not the aesthetic image can be achieved. Only in the real sense can the emotion of self-internalization be integrated into the objective object, and the emotion in the scene contain the emotion and the emotion is not empty. It is not difficult to see from this that the oriental aesthetic tendency of the paintings of Uyar, especially the core concept of Chinese classical aesthetics, is "image". In the creation of works of art, only by better integrating the deep feelings into the expression of the scene, the expression of emotion will have his depth and height. Vyar incorporated his internalized emotions into the family scene, thus forming a world of images and beauty. The artistic conception he excavated like a poem also benefited from his ability to master and control color. Those simple and quiet gray colors, delicate decorative patterns and extremely symbolic color make the life scene in Vyar's works very infectious, forming the unique personal style of the image beauty in his paintings.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
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