范宽《溪山行旅图》绘画风格与意境诠释
发布时间：2018-11-25 16:43
【摘要】：中国传统山水画自出现以来就成为了中国画坛的主力军，北宋时期更是中国山水画的重要变革期，肩负继承和发扬前代卓越成就的画家们做出了努力的尝试并取得了瞩目的成就。更加丰富的山水画笔墨语言和更加具有指导性的山水画评判要求在此时接近于完善，内容题材的表现、笔墨技巧的运用和绘画理论的指导等方面在此时都有了长足的发展，师造化、重理性和画家内心世界的抒发都体现在此时的作品上，并成为此时山水画创作的主导力量。 范宽作为这一时期乃至整个山水画史中的领军人物更是得到了后世的无比推崇，其传世经典名作《溪山行旅图》更是开创了山水画的高峰，给后人的心中打下了深深的烙印。范宽《溪山行旅图》是北宋时期的山水画代表作品，也是一个重要的入口，为后世研究此时的山水画提供了参照依据。此图大山大水的全景构图、细致刻画的山石树木、复合多变的笔墨皴法体现出了范宽山水的绘画风格，其意境深远，冲击着观者的心灵，使人产生无尽的凝思。 作为这一时期北方山水画大师，范宽开辟了中国山水画的新天地。对于后人来说，主要还是从他的杰作《溪山行旅图》入手，本文就立足于《溪山行旅图》开展研究，分析作品的绘画风格极其内在意境诠释。 通过对史料的分析，对古代画论的研究，结合作品的形式进行深入的探析，本文以《溪山行旅图》为主轴，通过对范宽的绘画风格、绘画风格的成因、作品意境的诠释进行了研究。本文结合范宽所处的时代背景，以《溪山行旅图》为代表从构图、笔法、用墨、对景造意和点景物分析其绘画风格；从当时的时代特征、师承关系、艺术自身发展规律、地域环境的影响及对道家哲学观的追求出发，研究作品绘画风格的成因；从构图、“师造化”的图真山水、永恒的宇宙、瞬间的人生和“澄怀观道”“虚实相生”的道家美学观出发来研究《溪山行旅图》的意境美。 中国山水画家尊重大自然，热爱大自然，悠久的历史和丰富的传统奠定了中国山水画别具一格的独特风貌。通过范宽的艺术历程，我想我们应该继续深入研究古代传统绘画，结合传统文化研究山水画特色，投入大自然，感受大自然，这样才能使中国山水画得到长足的发展，，才能使中国山水画继续占据着世界艺术殿堂的一席之地并攀向更高的山峰。
[Abstract]:Chinese traditional landscape painting has become the main force in the Chinese painting world since its appearance, and the Northern Song Dynasty is an important period of transformation of Chinese landscape painting. Painters who inherit and carry forward the outstanding achievements of the previous generation have made great efforts and made remarkable achievements. At this time, the more abundant language of landscape painting and the more instructive requirements of landscape painting judgment are approaching perfection, the performance of content subject matter, the use of stroke and ink skills and the guidance of painting theory have made great progress at this time. The teacher's creation, the emphasis on reason and the expression of the painter's inner world are reflected in the works at this time, and become the leading force in the creation of landscape painting at this time. Fan Kuan, as a leading figure in the history of landscape painting in this period and the whole history of landscape painting, has been greatly respected by later generations, and his classic masterpiece, "Journey to Xishan", has created the peak of landscape painting and made a deep imprint on the hearts of later generations. Fan Kuan's "Xi Shan Travel Map" is a representative work of landscape painting in the Northern Song Dynasty, and it is also an important entrance, which provides a reference basis for the later study of landscape painting at this time. The panoramic composition of the mountain and the flood, the detailed depiction of the mountain and stone trees, and the complex and changeable brush and ink chapping method reflect the painting style of Fan Kuan's mountains and rivers, whose artistic conception is far-reaching, impinges on the mind of the viewer, and makes people have endless thinking. As a master of northern landscape painting in this period, Fan Kuan opened up a new world of Chinese landscape painting. For the later generations, it is mainly from his masterpiece, "Xi Shan Tour Map", this article based on the "Xi Shan Tour Map" to carry out research, analysis of the painting style of the works and the interpretation of the intrinsic artistic conception. Through the analysis of historical data, the study of ancient painting theory and the deep analysis of the form of the works, this paper takes "the traveling Pictures of the Xishan Mountain" as the main axis, through the painting style of Fan Kuan, the causes of the painting style. The interpretation of artistic conception is studied. Based on the background of Fan Kuan's time, this paper analyzes his painting style from composition, brushwork and ink. Starting from the characteristics of the times, the relationship between teachers and students, the development law of art itself, the influence of regional environment and the pursuit of Taoist philosophy, this paper studies the causes of painting style. From the view of composition, real landscape, eternal universe, instant life and Taoist aesthetics, the author studies the artistic conception of Xi Shan Tour. Chinese landscape painters respect nature, love nature, long history and rich tradition have laid a unique style of Chinese landscape painting. Through Fan Kuan's artistic course, I think we should continue to study the ancient traditional painting, combine with the traditional culture to study the characteristics of landscape painting, invest in nature and feel nature, so that we can make great progress in Chinese landscape painting. To enable Chinese landscape painting to continue to occupy a place in the world hall of art and climb to higher peaks.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
[Abstract]:Chinese traditional landscape painting has become the main force in the Chinese painting world since its appearance, and the Northern Song Dynasty is an important period of transformation of Chinese landscape painting. Painters who inherit and carry forward the outstanding achievements of the previous generation have made great efforts and made remarkable achievements. At this time, the more abundant language of landscape painting and the more instructive requirements of landscape painting judgment are approaching perfection, the performance of content subject matter, the use of stroke and ink skills and the guidance of painting theory have made great progress at this time. The teacher's creation, the emphasis on reason and the expression of the painter's inner world are reflected in the works at this time, and become the leading force in the creation of landscape painting at this time. Fan Kuan, as a leading figure in the history of landscape painting in this period and the whole history of landscape painting, has been greatly respected by later generations, and his classic masterpiece, "Journey to Xishan", has created the peak of landscape painting and made a deep imprint on the hearts of later generations. Fan Kuan's "Xi Shan Travel Map" is a representative work of landscape painting in the Northern Song Dynasty, and it is also an important entrance, which provides a reference basis for the later study of landscape painting at this time. The panoramic composition of the mountain and the flood, the detailed depiction of the mountain and stone trees, and the complex and changeable brush and ink chapping method reflect the painting style of Fan Kuan's mountains and rivers, whose artistic conception is far-reaching, impinges on the mind of the viewer, and makes people have endless thinking. As a master of northern landscape painting in this period, Fan Kuan opened up a new world of Chinese landscape painting. For the later generations, it is mainly from his masterpiece, "Xi Shan Tour Map", this article based on the "Xi Shan Tour Map" to carry out research, analysis of the painting style of the works and the interpretation of the intrinsic artistic conception. Through the analysis of historical data, the study of ancient painting theory and the deep analysis of the form of the works, this paper takes "the traveling Pictures of the Xishan Mountain" as the main axis, through the painting style of Fan Kuan, the causes of the painting style. The interpretation of artistic conception is studied. Based on the background of Fan Kuan's time, this paper analyzes his painting style from composition, brushwork and ink. Starting from the characteristics of the times, the relationship between teachers and students, the development law of art itself, the influence of regional environment and the pursuit of Taoist philosophy, this paper studies the causes of painting style. From the view of composition, real landscape, eternal universe, instant life and Taoist aesthetics, the author studies the artistic conception of Xi Shan Tour. Chinese landscape painters respect nature, love nature, long history and rich tradition have laid a unique style of Chinese landscape painting. Through Fan Kuan's artistic course, I think we should continue to study the ancient traditional painting, combine with the traditional culture to study the characteristics of landscape painting, invest in nature and feel nature, so that we can make great progress in Chinese landscape painting. To enable Chinese landscape painting to continue to occupy a place in the world hall of art and climb to higher peaks.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
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