14世纪至17世纪夏鲁寺、白居寺壁画艺术风格比较研究
发布时间：2018-11-26 19:47
【摘要】：14世纪至17世纪是藏传佛教绘画发展的转型时期,本土画师开始专注本民族艺术的创作和思考,绘画风格逐渐摆脱外来的程式而趋向本土化演变。夏鲁一江孜风格正是处于本土化演变的关键时期,具有承上启下的重要意义。夏鲁寺和白居寺壁画同为夏鲁一江孜风格的代表,二者在艺术风格上既有区别又有联系,本文根据历史文献和图片资料,将两寺壁画艺术风格的异同点进行比较研究。
[Abstract]:From the 14th century to the 17th century, the development of Tibetan Buddhism painting was a transitional period. The local painters began to focus on the creation and thinking of their own national art. Xialu-Jiangzi style is in the key period of localization evolution, which is of great significance. The frescoes of Xialu Temple and Baiju Temple are both representatives of Xialu-Jiangzi style. There are differences and connections in their artistic styles. According to historical documents and pictures, this paper makes a comparative study on the similarities and differences of the artistic styles of the murals of the two monasteries.
【作者单位】： 陕西师范大学美术学院;
【基金】：陕西师范大学研究生创新基金资助项目《藏传壁画与祭坛画比较研究》研究成果(项目编号:2015CXS018)
【分类号】：J218.6
本文编号：2359458
[Abstract]:From the 14th century to the 17th century, the development of Tibetan Buddhism painting was a transitional period. The local painters began to focus on the creation and thinking of their own national art. Xialu-Jiangzi style is in the key period of localization evolution, which is of great significance. The frescoes of Xialu Temple and Baiju Temple are both representatives of Xialu-Jiangzi style. There are differences and connections in their artistic styles. According to historical documents and pictures, this paper makes a comparative study on the similarities and differences of the artistic styles of the murals of the two monasteries.
【作者单位】： 陕西师范大学美术学院;
【基金】：陕西师范大学研究生创新基金资助项目《藏传壁画与祭坛画比较研究》研究成果(项目编号:2015CXS018)
【分类号】：J218.6
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1 熊文彬;白居寺壁画人物造型的美学意蕴[J];中国西藏(中文版);1996年02期
，本文编号：2359458
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