晚清写意花鸟画中的金石意味
发布时间：2018-11-27 21:07
【摘要】：晚期金石意味的中国画在中国画坛影响巨大，画面中出现的富有金石意味的表现形式展现了诗书画印结合带来强烈的审美体验。以这种审美体验为出发点挖掘花鸟画中金石意味，花鸟画中金石意味的表现手法就是以书入画，，达到诗书画印的结合。这种结合的方式充分的反映了艺术家的审美认识和深刻思想的内涵，继而从美学的角度出发，分析画面产生的审美意境。意境是自觉的审美意识活动的结果，他的主客体统一创造了一个完全独立于眼前现实世界的审美世界、艺术世界。反映出了主客体高度的统一，这种统一使得情景交融，让人能得到美的享受。 本文先分析完花鸟画金石意味的审美意味，继而展开金石意味的各个阶段的发展状况，在分析金石意味的发展之前，简单的叙述了清代美术发展的状况，碑学运动的兴起是花鸟画发展的转折点，由此拉开了金石意味表现形式的序幕，从发展的早期赵之谦的艺术风格到鼎盛时期吴昌硕和齐白石再到近现代的诸位追求金石意味的画家，通过时间轴上继承的关系一一进行了艺术风格的分析，回到美学的层面，进行总结，我们能认识和欣赏花鸟画中金石意味的审美乐趣，能体会到美的存在，这些已经很足够了，随着社会的发展，对美的认识在不断的变化着，但是不管时间走的有多么的快，也不会扔下真善美，只要报着这样的信念在进行艺术创作，那么美的艺术是能够产生的。 金石画派从发展以来，出现的追求金石意味的艺术家，他们格调高雅，素养全面，以追求画面的金石意味为目标，创造出了无法逾越的艺术巅峰，金石画派从发展之初到完全成熟经历了发展的各个阶段，最终才完成了诗书画印的完美结合，长时间的积累与沉淀才纯熟了技法，但其中更加引人深思和值得学习的是各家的精神，这种坚持不懈，面对挫折而勇于完善自我的精神。同时诗书画印的结合也告诉我们，知识的相通性；各家的师法对象和艺术追求代表着各家的审美主张，审美主张的形成靠的是阅历与理论的支撑，所以，绘画的学习是全面的学习，除了诗书画印的全面修养外，更重要的是思想的境界的培养。
[Abstract]:The late Chinese paintings with the meaning of gold and stone have a great influence on the Chinese painting world, and the forms of expression with golden and stone meanings in the pictures show a strong aesthetic experience brought about by the combination of poetry, calligraphy, painting and printing. With this aesthetic experience as the starting point to excavate the meaning of stone in flower and bird painting, the expression of the meaning of gold and stone in flower and bird painting is the combination of poetry, calligraphy and painting. The combination of this way fully reflects the aesthetic understanding of the artist and the connotation of profound thoughts, and then from the perspective of aesthetics, analysis of the aesthetic artistic conception produced by the screen. Artistic conception is the result of conscious aesthetic consciousness activity. His unity of subject and object creates an aesthetic world, an artistic world completely independent of the present reality. It reflects the unity of subject and object, which makes people enjoy beauty. This article first analyzes the aesthetic meaning of the flower and bird painting, then unfolds the development of each stage of the golden and stone meaning. Before analyzing the development of the golden and stone meaning, it simply describes the development of the fine arts in the Qing Dynasty. The rise of the stele movement was a turning point in the development of flower-and-bird painting, which opened the prologue of the golden and stone manifestation. From the early artistic style of Zhao Zhiqian in the early stage of development to Wu Changshuo and Qi Baishi in the heyday, to the modern painters who sought the golden and stone meaning, they analyzed the artistic style one by one through the relationship inherited on the timeline, and returned to the level of aesthetics. Summing up, we can understand and appreciate the aesthetic pleasure of stone and gold in flower-and-bird paintings, and we can appreciate the existence of beauty. These are enough. With the development of society, the understanding of beauty is constantly changing. But no matter how fast time goes, it will not leave behind the true, the good and the beautiful, so long as this belief in artistic creation, then the art of beauty can be produced. Since its development, the jinshi painting school has emerged as an artist who pursues the meaning of gold and stone. Their style is elegant, their quality is comprehensive, and their goal is to pursue the golden and stone meaning of the picture, thus creating an unsurmountable artistic peak. From the beginning of its development to its full maturity, the Golden Stone School experienced various stages of development, and finally completed the perfect combination of poetry, calligraphy, painting and printing, and after a long period of accumulation and precipitation, it was only after a long period of accumulation and precipitation that it became proficient in its techniques. But one of the more thought-provoking and worth learning is the spirit of each, this perseverance, face setbacks and courage to improve themselves. At the same time, the combination of poetry, calligraphy, painting and printing also tells us the common nature of knowledge; The objects and artistic pursuits of each school represent the aesthetic opinions of various countries. The formation of aesthetic opinions depends on the support of experience and theory. Therefore, the study of painting is a comprehensive study, in addition to the comprehensive cultivation of poetry, calligraphy, painting and printing. What is more important is the cultivation of the realm of thought.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
本文编号：2362039
[Abstract]:The late Chinese paintings with the meaning of gold and stone have a great influence on the Chinese painting world, and the forms of expression with golden and stone meanings in the pictures show a strong aesthetic experience brought about by the combination of poetry, calligraphy, painting and printing. With this aesthetic experience as the starting point to excavate the meaning of stone in flower and bird painting, the expression of the meaning of gold and stone in flower and bird painting is the combination of poetry, calligraphy and painting. The combination of this way fully reflects the aesthetic understanding of the artist and the connotation of profound thoughts, and then from the perspective of aesthetics, analysis of the aesthetic artistic conception produced by the screen. Artistic conception is the result of conscious aesthetic consciousness activity. His unity of subject and object creates an aesthetic world, an artistic world completely independent of the present reality. It reflects the unity of subject and object, which makes people enjoy beauty. This article first analyzes the aesthetic meaning of the flower and bird painting, then unfolds the development of each stage of the golden and stone meaning. Before analyzing the development of the golden and stone meaning, it simply describes the development of the fine arts in the Qing Dynasty. The rise of the stele movement was a turning point in the development of flower-and-bird painting, which opened the prologue of the golden and stone manifestation. From the early artistic style of Zhao Zhiqian in the early stage of development to Wu Changshuo and Qi Baishi in the heyday, to the modern painters who sought the golden and stone meaning, they analyzed the artistic style one by one through the relationship inherited on the timeline, and returned to the level of aesthetics. Summing up, we can understand and appreciate the aesthetic pleasure of stone and gold in flower-and-bird paintings, and we can appreciate the existence of beauty. These are enough. With the development of society, the understanding of beauty is constantly changing. But no matter how fast time goes, it will not leave behind the true, the good and the beautiful, so long as this belief in artistic creation, then the art of beauty can be produced. Since its development, the jinshi painting school has emerged as an artist who pursues the meaning of gold and stone. Their style is elegant, their quality is comprehensive, and their goal is to pursue the golden and stone meaning of the picture, thus creating an unsurmountable artistic peak. From the beginning of its development to its full maturity, the Golden Stone School experienced various stages of development, and finally completed the perfect combination of poetry, calligraphy, painting and printing, and after a long period of accumulation and precipitation, it was only after a long period of accumulation and precipitation that it became proficient in its techniques. But one of the more thought-provoking and worth learning is the spirit of each, this perseverance, face setbacks and courage to improve themselves. At the same time, the combination of poetry, calligraphy, painting and printing also tells us the common nature of knowledge; The objects and artistic pursuits of each school represent the aesthetic opinions of various countries. The formation of aesthetic opinions depends on the support of experience and theory. Therefore, the study of painting is a comprehensive study, in addition to the comprehensive cultivation of poetry, calligraphy, painting and printing. What is more important is the cultivation of the realm of thought.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
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本文编号：2362039
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