绝版套色木刻设计价值解读

发布时间：2018-11-28 09:23

【摘要】：作为云南版画中一项重要的表现技法,绝版套色木刻曾经为云南版画的崛起奠定了里程碑式的基础。而今在当代艺术大潮下,同时随着工业形态的改变、社会经济的进步,机器印刷业制品的大量生产,使绝版套色木刻的影响变的渐趋微薄。绝版套色木刻不受重视,究其原因,一方面在于绝版套色木刻的艺术与技术特色构成形式多源繁杂,人们对于绝版套色木刻的了解程度不足；另一方面,作为“艺术家”的创作群体,他们关注的重点在于个人艺术思想的表现上,而不是工艺的设计制作过程上,因此,他们更多的倾向于选择油画、国画等更加直接的创作方式来完成自已的艺术表现。如何恢复和发展云南绝版套色木刻的强势,通过设计艺术的视角重新审视绝版套色木刻工艺,挖掘提炼绝版套色木刻的设计价值,正是本文所要探讨的主题。此次研究查阅了很多文献资料,并且开展了实际调查和创作实践,在田野调查、理论研究以及自身创作实践基础上,归纳并总结了当前绝版套色木刻制作时运用的工具和材料,工艺流程及技法,并且探究了技法的形成过程。经过系统、全面分析之后,分别从绝版套色木刻的艺术表现特色与制作工艺特色两个方面对绝版套色木刻做出研究,对绝版套色木刻工艺的整套设计制作过程做出总结,提取绝版套色木刻制作工艺中的设计价值。究竟如何才能做到对于绝版套色木刻设计价值进行挖掘解读,让绝版套色木刻在现代生活中有效的传承与创新,笔者认为应从以下几个方面展开探索：(1)从绝版套色木刻产生的源起与制作所需要的工具、材料上挖掘其设计价值。(2)以绝版套色木刻经过严密的设计思维的制作过程上提炼其设计价值。(3)通过绝版套色木刻的产品开发运用来升华其设计价值。
[Abstract]:As an important performance technique in Yunnan printmaking, out-of-print woodcut once laid a milestone foundation for the rise of Yunnan printmaking. Nowadays, under the tide of contemporary art, with the change of industrial form, the progress of social economy, and the mass production of machine printing products, the influence of out-of-print color woodcut has become more and more meagre. The reason is that the artistic and technical characteristics of the out-of-print overlay wood engraving are complicated, and people do not know enough about the out-of-print overlay wood engraving. On the other hand, as a creative group of "artists", their focus is on the expression of individual artistic thoughts, rather than on the process of designing and making craft, so they tend to choose oil paintings more often. Traditional Chinese painting and other more direct creative ways to complete their own artistic expression. How to restore and develop the strength of Yunnan out-of-print overlay woodcut, through the perspective of design art to re-examine the technology of out-of-print overlay woodcut, excavate the design value of extraction of out-of-print overlay woodcut, is the theme of this paper. This study consulted a lot of literature, and carried out practical investigation and creative practice. On the basis of field investigation, theoretical research and its own creative practice, the paper summarized the tools and materials used in the production of out-of-print woodcut. Process and techniques, and explore the formation of the process. After a systematic and comprehensive analysis, this paper makes a study on the out-of-print overlay wood engraving from two aspects of the artistic expression characteristics and the production process characteristics, and summarizes the whole design and production process of the out-of-print overlay wood engraving process. Extract the design value of out-of-print color wood engraving process. How on earth can we excavate and interpret the design value of out-of-print overlay wood carvings so that they can be effectively inherited and innovated in modern life? The author believes that the following aspects should be explored: (1) from the origin and production of out-of-print overlay wood carvings, Mining its design value on materials. (2) refining its design value from the production process of strict design thinking. (3) sublimating its design value through the product development and application of out-of-print overlay wood engraving.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J217

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