论版画“复数性中的差异性”特征在创作中的价值
发布时间：2018-11-28 11:56
【摘要】：本文第一章从解释说明版画的“复数性”概念出发,以徐冰老师提出“具有美学意义的复数性”观点来探讨版画“复数性”中可能存在的差异性。第二章重点引用版画发展史中有影响的艺术家、版画家创作出的具有“复数性中的差异性”作品来进行说明。第三章则通过表格的形式来分析版画史中有差异性作品,并结合自己的创作。第四章则通过分析同一性与多样性,德勒兹的(差异与重复),以及本雅明的《机械复制时代的艺术作品》来证明版画“复数性中的差异性”特征在创作中具有的美学价值。本论题所涉及的关于版画“复数性中的差异性”特征的论述,建立在传统版画的复数性概念的认识基础之上,从“手工性”角度出发,以版画的时间性特征和其空间性思维相结合,并联系到主题,利用版画“复数性中的差异性”特征进行创作,寻找拓宽当代版画创作方式的可能性。
[Abstract]:In the first chapter, from explaining the concept of "plural" of printmaking, using the viewpoint of "plural with aesthetic significance" put forward by Xu Bing, this paper discusses the possible differences in "plural" of printmaking. The second chapter mainly refers to the influential artists and printmakers in the history of printmaking. The third chapter analyzes the different works in the history of printmaking through the form of tables, and combines his own creation. In the fourth chapter, by analyzing identity and diversity, Deleuze's (difference and repetition), and Benjamin's works of Art in the Age of Mechanical replication, the author proves the aesthetic value of the feature of "difference in the plural" of printmaking. The discussion on the characteristics of "difference in plural number" of printmaking in this thesis is based on the understanding of the concept of plural number of traditional printmaking, and from the angle of "artisanal". By combining the temporal features of print with its spatial thinking and connecting with the theme, the author makes use of the feature of "difference in plural number" in print to explore the possibility of broadening the creative mode of contemporary print.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J217
本文编号：2362757
[Abstract]:In the first chapter, from explaining the concept of "plural" of printmaking, using the viewpoint of "plural with aesthetic significance" put forward by Xu Bing, this paper discusses the possible differences in "plural" of printmaking. The second chapter mainly refers to the influential artists and printmakers in the history of printmaking. The third chapter analyzes the different works in the history of printmaking through the form of tables, and combines his own creation. In the fourth chapter, by analyzing identity and diversity, Deleuze's (difference and repetition), and Benjamin's works of Art in the Age of Mechanical replication, the author proves the aesthetic value of the feature of "difference in the plural" of printmaking. The discussion on the characteristics of "difference in plural number" of printmaking in this thesis is based on the understanding of the concept of plural number of traditional printmaking, and from the angle of "artisanal". By combining the temporal features of print with its spatial thinking and connecting with the theme, the author makes use of the feature of "difference in plural number" in print to explore the possibility of broadening the creative mode of contemporary print.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J217
【参考文献】
相关期刊论文 前4条
1 徐冰;对复数性绘画的新探索与再认识[J];美术;1987年10期
2 李全民;版画概念的内涵[J];美术学报;2001年01期
3 杨劲松;版画,还是艺术——浅论中国版画的当代性选择[J];美苑;2002年01期
4 孔国桥;关于版画特性与制作的一点思考[J];新美术;1997年02期
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