20世纪油画符号化形式语言研究
发布时间：2018-12-06 19:08
【摘要】：本文主要是根据20世纪油画符号化形式语言的发展及其变革和在油画创作中的地位和作用,深入探讨油画创作中符号化形式语言与艺术家之间的亲密联系。 卡西尔曾经说过：“人是创造符号的动物。”这说明自从有了人类符号就随之产生了,符号与人类活动密切相关,在我们的生活中随处可见：大到一面国旗,小到一个标点,这些都是符号。现代艺术作品中更是充斥着各种各样的视觉符号,与艺术之间有着千丝万缕的联系。当人们站在画架前从传统的视觉愉悦转变为现代的精神迷惘时,艺术作品在很大程度上也逐渐从对灵魂的震撼走向了对眼球的吸引。于是,我们不禁要问：“现代油画艺术除了一堆光怪陆离的符号,还剩下什么?”这是一个值得深思的问题。本文就是以这个问题为出发点,主要通过对20世纪典型画家符号化形式语言的研究,着重从时代的变迁、文化的发展、个性的解放和情感的释放等等,来探究20世纪那些具有符号化特征的艺术家们是怎样在创作中通过对“符号”的合理把握和运用来诠释自己内在的个性、情感、个人魅力和艺术价值。
[Abstract]:Based on the development and transformation of symbolic formal language in oil painting in the 20th century and its position and role in oil painting creation, this paper probes into the intimate relationship between symbolic formal language and artists in oil painting creation. Cassier once said, "Man is an animal that creates symbols." This shows that since the existence of human symbols, symbols are closely related to human activities and can be seen everywhere in our lives: big flags, small punctuation, these are symbols. Modern works of art are filled with a variety of visual symbols, and art is inextricably linked. When people stand in front of the easel to change from the traditional visual pleasure to the modern spiritual confusion, the art works gradually from the shock of the soul to the eyeball. Then, we can not help asking: "Modern oil painting art in addition to a bunch of strange symbols, what is left?" This is a question worth pondering over. This paper takes this issue as the starting point, mainly through the study of symbolic formal language of the typical painters of the 20th century, focusing on the changes of the times, the development of culture, the liberation of personality and the release of emotion, etc. To explore how artists with symbolic characteristics in the 20th century through the rational grasp and use of "symbols" to interpret their own internal personality, emotion, personal charm and artistic value.
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
本文编号：2366514
[Abstract]:Based on the development and transformation of symbolic formal language in oil painting in the 20th century and its position and role in oil painting creation, this paper probes into the intimate relationship between symbolic formal language and artists in oil painting creation. Cassier once said, "Man is an animal that creates symbols." This shows that since the existence of human symbols, symbols are closely related to human activities and can be seen everywhere in our lives: big flags, small punctuation, these are symbols. Modern works of art are filled with a variety of visual symbols, and art is inextricably linked. When people stand in front of the easel to change from the traditional visual pleasure to the modern spiritual confusion, the art works gradually from the shock of the soul to the eyeball. Then, we can not help asking: "Modern oil painting art in addition to a bunch of strange symbols, what is left?" This is a question worth pondering over. This paper takes this issue as the starting point, mainly through the study of symbolic formal language of the typical painters of the 20th century, focusing on the changes of the times, the development of culture, the liberation of personality and the release of emotion, etc. To explore how artists with symbolic characteristics in the 20th century through the rational grasp and use of "symbols" to interpret their own internal personality, emotion, personal charm and artistic value.
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
【参考文献】
相关期刊论文 前1条
1 张修亮;;再读米罗绘画中的点、线、面[J];艺术教育;2011年07期
，本文编号：2366514
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