浅析李成山水画风格对毕业创作的影响
发布时间：2018-12-08 19:19
【摘要】：宋代作为中国绘画发展史上的巅峰时期,其山水画成就尤为突出。李成作为北宋众多的山水画家中的一个代表,是中国山水画史上一位里程碑式的人物。他在师法关仝的基础上放意自然,写胸中浩然之气,遂自成一家。李成以北方地区的山水景物为对象,“山林泽薮,平远险易,萦带曲折,飞流危栈,断桥绝涧,水石、风雨、晦明、烟云、雪雾之状,一皆吐其胸中,而写之笔下”,以“平远”的构图方式和蟹爪皴、卷云皴等独特的艺术表现手法形成了李氏独特的艺术特色。此外,李成又善写北方寒林之景,用笔简劲,运墨淡润,惜墨如金,独具一格。李成以其独到的笔墨技法和艺术理念将北宋时期的山水画推向了新的历史高峰,从此,中国山水画走向全面成熟。不管其艺术表现技法还是绘画思想,都对后世产生了极其深远的影响。无怪乎刘道醇在他的《圣朝名画评》中将李成的画作列为“神品”,论其画“思清格老,古无其人”。
[Abstract]:Song Dynasty as the peak of the history of Chinese painting, its landscape painting achievements are particularly prominent. Li Cheng, a representative of many landscape painters in the Northern Song Dynasty, is a landmark figure in the history of Chinese landscape painting. He set his mind on nature on the basis of teaching and learning, and became a family of his own. Li Cheng took the landscape of the northern region as an object. "the mountains, the forest, the plain, the danger, the twists and turns, the flying streams, the broken bridges, the rocks, the wind, the rain, the Huiming, the smoke clouds, the snow and the mist, all spit in their bosoms, and write in their writings." Li's unique artistic features are formed by the unique artistic expression methods such as "Pingyuan" composition and crabclaw chapping and cirrus chapping. In addition, Li Cheng is good at writing North Cold Forest King, with a simple pen, ink light run, rare ink such as gold, unique. Li Cheng pushed the landscape painting of the Northern Song Dynasty to a new historical peak with his unique techniques and artistic ideas. From then on, Chinese landscape painting went to full maturity. No matter its artistic expression technique or painting thought, all had the extremely profound influence to the later generation. It is no wonder that Liu Daool listed Li Cheng's paintings as "sacred objects" in his famous paintings of the Holy Dynasty.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
[Abstract]:Song Dynasty as the peak of the history of Chinese painting, its landscape painting achievements are particularly prominent. Li Cheng, a representative of many landscape painters in the Northern Song Dynasty, is a landmark figure in the history of Chinese landscape painting. He set his mind on nature on the basis of teaching and learning, and became a family of his own. Li Cheng took the landscape of the northern region as an object. "the mountains, the forest, the plain, the danger, the twists and turns, the flying streams, the broken bridges, the rocks, the wind, the rain, the Huiming, the smoke clouds, the snow and the mist, all spit in their bosoms, and write in their writings." Li's unique artistic features are formed by the unique artistic expression methods such as "Pingyuan" composition and crabclaw chapping and cirrus chapping. In addition, Li Cheng is good at writing North Cold Forest King, with a simple pen, ink light run, rare ink such as gold, unique. Li Cheng pushed the landscape painting of the Northern Song Dynasty to a new historical peak with his unique techniques and artistic ideas. From then on, Chinese landscape painting went to full maturity. No matter its artistic expression technique or painting thought, all had the extremely profound influence to the later generation. It is no wonder that Liu Daool listed Li Cheng's paintings as "sacred objects" in his famous paintings of the Holy Dynasty.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
【共引文献】
相关期刊论文 前10条
1 束新水;;“九朽一罢”与中国人物画创作[J];书画世界;2009年03期
2 王愿石;;论李公麟的白描艺术[J];安徽工业大学学报(社会科学版);2010年02期
3 张骏，
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