关良戏剧水墨人物画研究

发布时间：2018-12-13 03:39

【摘要】：关良是中国近代极具创新开拓力的艺术大师之一,他在中国画的传承与创新方面作出了巨大贡献,这一贡献具有划时代的意义。关良的戏剧水墨人物画传承了中国民间传统艺术和传统水墨画的表现手法,吸收了西方艺术文化的表现形式,并在二者的基础上进行了融合创新,创造了戏剧水墨人物画这一独特的艺术样式。该文是以关良的戏剧水墨人物画为研究对象,运用文献综述法、分析综合法、归纳演绎法等方法对关良以及戏剧水墨人物画进行了全面研究,具有极高的学术价值,为后人系统了解关良戏剧水墨人物画提供了理论依据。全文共分为四章。第一章介绍了关良的个人经历、时代背景以及艺术成就;第二章对关良戏剧水墨人物画风格的形成和缘由进行了分析研究,使我们更加全面地了解关良的戏剧水墨人物画;第三章根据关良创作的不同时期的代表作品,分析了关良各个时期艺术语言的不同和发展,并对其艺术风格进行了总结;第四章通过研究关良对戏曲人物画创作的影响和启示,解决作者在戏曲人物画创作中遇到的具体问题。对关良戏剧水墨人物画进行研究,具有理论和现实的意义。一方面加深了对戏剧水墨人物画的理解,另一方面对笔者以后进行创作具有指导性意义。
[Abstract]:Guan Liang is one of the most creative and pioneering art masters in modern China. He has made great contributions to the inheritance and innovation of Chinese painting, which is of epoch-making significance. Guan Liang's dramatic ink figure painting inherits the expression methods of traditional Chinese folk art and traditional ink painting, absorbs the form of expression of western art culture, and carries on the fusion innovation on the basis of both. Created the dramatic ink figure painting this unique artistic style. This article takes Guan Liang's drama ink figure painting as the research object, uses the literature review method, the analysis synthesis method, the induction deductive method and so on the method has carried on the comprehensive research to the Guan Liang and the dramatic ink figure painting, has the extremely high academic value, It provides a theoretical basis for the later generations to understand Guan Liang's dramatic ink figure painting systematically. The full text is divided into four chapters. The first chapter introduces Guanliang's personal experience, the background of the times and the artistic achievement, the second chapter analyzes the formation and the reason of Guanliang's drama ink figure painting style, so that we can understand Guan Liang's drama ink figure painting more comprehensively. In the third chapter, according to the representative works of different periods of Guan Liang's creation, it analyzes the difference and development of artistic language in each period of Guan Liang's creation, and summarizes its artistic style. The fourth chapter studies the influence and enlightenment of Guan Liang on the creation of figure painting, and solves the specific problems encountered by the author in the creation of figure painting. It is of theoretical and practical significance to study the figure painting of Guan Liang drama. On the one hand, it deepens the understanding of the dramatic ink figure painting, on the other hand, it has instructive significance for the author's later creation.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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