论民间美术色彩对湖湘当代油画的影响

发布时间：2018-12-13 21:28

【摘要】：作为物化的精神产物的中国民间美术,是在以农耕为主的封建社会中逐渐形成的并能够稳固的保持着自己的特有型态,且发展成为具有浓郁民族特征及民族观念和情感的艺术形式。民间美术在历史长河的积淀中形成了独特的审美特征和一整套完整的应用程式及审美观念系统。为了解中华民族艺术传统、理解民族心里情感,我们的现代艺术工作者不断学习,探索民间美术的审美意趣、符号含义以及色彩观念,这是中国当代油画走向民族化也是走向世界化的必经之路。西方的审美取向长久以来一直在桎梏着中国油画艺术工作者,这在很大程度上是因为油画是由西方传入中国而导致,西方油画的精神范畴反映的是其既定的人文历史环境,我们在艺术创作中往往忽视了东方思维所带来的艺术体验,而把东方的主体精神泯灭于其中。当今世界是一个多元化和相互融合的世界,在这多元化的文化格局中,人类及其文化艺术的基础依然是也必然是其民族文化。而中华五千年灿烂的民族文化也应成为中国油画前进的来源和基础。本文通过对中国民间美术的进一步了解,寻求中国民间美术的特点及来源,分析中国民间美术色彩的特点及成因,并由此引出中国民间美术色彩与湖湘当代油画之间的借鉴与发展关系的讨论。
[Abstract]:As the spiritual product of materialization, Chinese folk art is gradually formed in the feudal society, which is dominated by farming, and can firmly maintain its own unique style. And has developed into a rich national characteristics and national ideas and feelings of the art form. Folk art has formed a unique aesthetic characteristic and a complete set of application program and aesthetic concept system in the accumulation of history. In order to understand the artistic tradition of the Chinese nation and understand the feelings of the nation, our modern art workers are constantly studying and exploring the aesthetic interest, symbolic meaning and color concept of the folk art. This is the only way for contemporary Chinese oil painting to be nationalized and cosmopolitan. Western aesthetic orientation has been shackling Chinese oil painting artists for a long time, which is largely due to the fact that oil painting was introduced into China by the West. The spiritual category of western oil painting reflects its established humanistic historical environment. In the artistic creation, we often ignore the artistic experience brought by the oriental thinking and destroy the oriental spirit of the subject. Today's world is a pluralistic and mutually integrated world. In this pluralistic cultural pattern, the foundation of human beings and their culture and art is still and inevitably their national culture. And the splendid national culture of five thousand years of China should also become the source and foundation of the advance of Chinese oil painting. Through further understanding of Chinese folk art, this paper seeks the characteristics and sources of Chinese folk art, and analyzes the characteristics and causes of the color of Chinese folk art. And draw from this Chinese folk art color and Huxiang contemporary oil painting reference and development of the relationship between the discussion.
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213

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