刘小东艺术作品中“大众化”现象研究
发布时间：2018-12-14 10:16
【摘要】：艺术“大众化”的思想源起于后现代主义艺术，具有艺术大众化倾向的艺术作品致力于表现普通民众的生活，探讨艺术与生活的关系，特别强调艺术家与观众的互动性，强调观众对艺术作品的参与性。刘小东艺术“大众化”思想的产生与他所处艺术环境、自身的成长背景以及个人的艺术理念是紧密相连的。 刘小东作为“新生代”艺术的代表人物，他的作品具有典型的“大众化”艺术风格。刘小东“大众化”艺术风格，首先源于他艺术情感的“大众化”，对普通民众生活的高度关注，决定了其艺术创作题材的“大众化”，对日常生活的描绘，这体现出他对日常生活中偶然发生场景的偏爱，但是这种偶然性又具有某种必然性，是一种对当下普通民众无聊生活状态的呈现，是刘小东对处于经济转型期中国普通民众真实生存体验以及心理状态的理解与阐释。其次，刘小东在艺术创作中运用大众化艺术表现手法塑造大众化艺术题材，“LOMO”式随意抓拍的构图，卢西安弗洛伊德式的狂放笔触，依据画面需求变化丰富的色彩以及中国画“留白”的手法，这是一种写实性与写意性的完美结合，一种隐藏在看似漫无目的写实性背后的目标明确写意感的存在，向观众传达出一种随意性。 刘小东的“大众化”艺术内含着精英情节，进一步引发我们对中国当代艺术的思考。以刘小东为代表的中国当代艺术被精英阶层操纵控制着，特别是西方的精英阶层，创作着体现精英阶层思想价值观念的大众化艺术，这种大众化艺术最终的接受群体也是社会精英阶层。在这个过程中，艺术作品的商业性凸显，自律性隐退，警醒我们思考中国当代艺术的出路，，一种精英艺术与大众艺术共存是状态，是两者有机的结合，艺术的自律性处于主导的主动地位，艺术的商业性处于被支配的被动地位。
[Abstract]:The thought of "popularization" of art originates from post-modernism art, and works of art with the tendency of art popularization are devoted to expressing the life of ordinary people, exploring the relationship between art and life, and emphasizing the interaction between artist and audience. Emphasis is placed on the participation of the audience in the work of art. The emergence of Liu Xiaodong's thought of "popularization" of art is closely related to his artistic environment, his own background of growth and his own artistic idea. Liu Xiaodong, as the representative of the new generation art, his works have a typical "popular" art style. Liu Xiaodong's "popular" art style, first of all, stems from his "popularization" of artistic feelings, and his high concern for the life of the ordinary people determines the "popularization" of his artistic creation subject matter and his depiction of daily life. This reflects his preference for occasional scenes in his daily life, but this contingency has a certain inevitability, and it is a presentation of the boring life state of the ordinary people. Liu Xiaodong's understanding and interpretation of the real living experience and psychological state of the ordinary Chinese people in the period of economic transition. Secondly, Liu Xiaodong used popular art expression to shape the popular art theme in his artistic creation, the composition of "LOMO" style random capture, Lucian Freudian style of wild brushwork, This is a perfect combination of realism and freehand brushwork, a clear sense of freehand brushwork hidden behind the seemingly aimless realism, according to the rich colors of the picture demand and the technique of "keeping white space" in Chinese painting. To convey a sense of arbitrariness to the audience. Liu Xiaodong's "popular" art contains elite plot, which further causes us to think about Chinese contemporary art. Chinese contemporary art, represented by Liu Xiaodong, is manipulated and controlled by the elite, especially the elite in the West, who create popular art that embodies the ideological values of the elite. The final acceptance group of this popular art is also the social elite. In this process, the commercial prominence of artistic works, the retreat of self-discipline, the wake-up call for us to think about the way out of Chinese contemporary art, is that the coexistence of an elite art and a popular art is a state and an organic combination of the two. The self-discipline of art is in the dominant active position, and the commercial of art is in the passive position of being dominated.
【学位授予单位】：湘潭大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
本文编号：2378442
[Abstract]:The thought of "popularization" of art originates from post-modernism art, and works of art with the tendency of art popularization are devoted to expressing the life of ordinary people, exploring the relationship between art and life, and emphasizing the interaction between artist and audience. Emphasis is placed on the participation of the audience in the work of art. The emergence of Liu Xiaodong's thought of "popularization" of art is closely related to his artistic environment, his own background of growth and his own artistic idea. Liu Xiaodong, as the representative of the new generation art, his works have a typical "popular" art style. Liu Xiaodong's "popular" art style, first of all, stems from his "popularization" of artistic feelings, and his high concern for the life of the ordinary people determines the "popularization" of his artistic creation subject matter and his depiction of daily life. This reflects his preference for occasional scenes in his daily life, but this contingency has a certain inevitability, and it is a presentation of the boring life state of the ordinary people. Liu Xiaodong's understanding and interpretation of the real living experience and psychological state of the ordinary Chinese people in the period of economic transition. Secondly, Liu Xiaodong used popular art expression to shape the popular art theme in his artistic creation, the composition of "LOMO" style random capture, Lucian Freudian style of wild brushwork, This is a perfect combination of realism and freehand brushwork, a clear sense of freehand brushwork hidden behind the seemingly aimless realism, according to the rich colors of the picture demand and the technique of "keeping white space" in Chinese painting. To convey a sense of arbitrariness to the audience. Liu Xiaodong's "popular" art contains elite plot, which further causes us to think about Chinese contemporary art. Chinese contemporary art, represented by Liu Xiaodong, is manipulated and controlled by the elite, especially the elite in the West, who create popular art that embodies the ideological values of the elite. The final acceptance group of this popular art is also the social elite. In this process, the commercial prominence of artistic works, the retreat of self-discipline, the wake-up call for us to think about the way out of Chinese contemporary art, is that the coexistence of an elite art and a popular art is a state and an organic combination of the two. The self-discipline of art is in the dominant active position, and the commercial of art is in the passive position of being dominated.
【学位授予单位】：湘潭大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
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