聆听基弗—论德国新表现主义绘画中的救赎与反思及其对中国油画的启示
发布时间：2018-12-17 20:44
【摘要】：本文通过对安塞姆?基弗的作品分析，发现其作品中蕴含的文化，历史以及民族间的关系。试图厘清基弗作品背后的文化意义与反思精神。通过反思及对比找出在我们当下的语境中，艺术与现实与历史的对应关系：消费文化的追求只懂得享乐，商品社会的定格让我们的价值观越发趋同，追求人民币，追求名誉。我们不再需要认识，思想都是废话。“反思”，“追求”成了多么遥远和可笑的字眼。当艺术品被贴上天价标签，艺术家被定义为职业种类，和医生，公务员，，律师一样是一种身份的名称；作品和家具一样被放入华丽透明的橱窗展柜时，价格成了衡量艺术价值高低的统一标准，一切都可以被量化。绚丽的外表下只是一张张成本核算单！生产的目的就是为了被消费，一切只是幻象，是一片过眼云烟，“珍珠”里的那粒沙不见了，充斥着市场的是人造产品。“为艺术而艺术”还是“为人生而艺术”的争论好像是“理性”和“非理性”的混战，是一场没有结局的对战。如果艺术家的人生只是田园牧歌，阳春白雪，甚至只是纵情享乐，感官刺激，那么，艺术家的人生就不是完整的艺术人生；是生活于安逸自满中，不懂得什么叫在痛苦中升华，不懂得在孤独中提升自我的人，是人类精神的沉沦。尼懫把这种人叫做——末人。
[Abstract]:This paper is based on the analysis of Ansem? Kiefer's works are analyzed and found the cultural, historical and ethnic relationships contained in his works. This paper attempts to clarify the cultural significance and reflective spirit behind Keefer's works. Through reflection and comparison, we find out the corresponding relationship between art and reality and history in our present context: the pursuit of consumer culture only understands pleasure, and the freeze of commodity society makes our values more convergent, pursuing RMB and pursuing reputation. We no longer need to know, our thoughts are nonsense. What a distant and ridiculous word "reflection" and "pursuit" have become. When works of art are labeled as priceless, artists are defined as types of occupations, as are doctors, civil servants, and lawyers. When a work, like furniture, is placed in a gorgeous and transparent window display, the price becomes a uniform measure of artistic value, and everything can be quantified. Gorgeous appearance is just a list of cost accounting! The purpose of production is to be consumed, everything is only illusion, is a cloud of smoke, "Pearl" the grain of sand disappeared, filled the market is artificial products. The argument between "art for art" or "art for life" seems to be a melee between "rationality" and "irrationality". If the artist's life is only pastoral, sunny snow, even just indulge in pleasure, sensory stimulation, then the artist's life is not a complete art life; A man who lives in complacency, who does not know what to mean by sublimation in pain, who does not know how to elevate himself in solitude, is the ruin of the human spirit. Niran called such a man of nothingness.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J209.9;J213
本文编号：2384772
[Abstract]:This paper is based on the analysis of Ansem? Kiefer's works are analyzed and found the cultural, historical and ethnic relationships contained in his works. This paper attempts to clarify the cultural significance and reflective spirit behind Keefer's works. Through reflection and comparison, we find out the corresponding relationship between art and reality and history in our present context: the pursuit of consumer culture only understands pleasure, and the freeze of commodity society makes our values more convergent, pursuing RMB and pursuing reputation. We no longer need to know, our thoughts are nonsense. What a distant and ridiculous word "reflection" and "pursuit" have become. When works of art are labeled as priceless, artists are defined as types of occupations, as are doctors, civil servants, and lawyers. When a work, like furniture, is placed in a gorgeous and transparent window display, the price becomes a uniform measure of artistic value, and everything can be quantified. Gorgeous appearance is just a list of cost accounting! The purpose of production is to be consumed, everything is only illusion, is a cloud of smoke, "Pearl" the grain of sand disappeared, filled the market is artificial products. The argument between "art for art" or "art for life" seems to be a melee between "rationality" and "irrationality". If the artist's life is only pastoral, sunny snow, even just indulge in pleasure, sensory stimulation, then the artist's life is not a complete art life; A man who lives in complacency, who does not know what to mean by sublimation in pain, who does not know how to elevate himself in solitude, is the ruin of the human spirit. Niran called such a man of nothingness.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J209.9;J213
【共引文献】
相关期刊论文 前1条
1 张俊奎;;油画肌理研究[J];绵阳师范学院学报;2013年10期
相关硕士学位论文 前6条
1 倪士斌;安塞尔姆·基弗绘画作品的特点及思考[D];中央美术学院;2011年
2 马超;叙述的诗学[D];中央美术学院;2009年
3 孙策;德意志灵魂的召唤与反思[D];中央美术学院;2009年
4 戚婧;浅谈原创性绘画艺术实践[D];沈阳师范大学;2012年
5 袁金强;综合材料在当代油画中的运用[D];安徽师范大学;2012年
6 李扬;思想与材料[D];曲阜师范大学;2013年
本文编号：2384772
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