浅谈本人水墨人物创作中的线性追求

发布时间：2018-12-28 12:08

【摘要】：线性是中国画最突出、最独特的形式特征，可以说，线条承载着中国画画面的笔法、墨法，反映着绘画在技术层面的传承关系,同时通过不同用笔、用线方式，还体现出中国画的时代审美意趣与个性特征，甚而，我们可以从中读出画家创作过程中的思维痕迹、文化品味。本文试图从视觉造型与情感表意的角度，分析笔者在当代语境下对个人创作中“线性”形式的思考与追求。本文第一部分，从简与繁的角度谈论中西方绘画在以线造型方面的不同发展趋向，并进行了较为概括的比对，主体部分则是结合笔者的创作体会，谈论当代水墨人物画线性追求的简与繁，简是指当代水墨人物画线性追求的团块意识，繁则是当代水墨人物画创作过程中用线方式的丰富性。第二部分从线性情感表述的角度，通过中西方对线性情感表述方式的不同，试图最终找到适合于自我的线性结构表述方式，结合西方现代格式塔美学等，结合笔者的绘画实践，探讨了线性结构与情感表述的一致性。本文第三部分则是以本人近期创作作品《夜寻》为例，结合创作构思、画面结构、情感表述等方面，从造型与表意的角度，，来具体谈论本人水墨人物画创作中线性追求。
[Abstract]:Linearity is the most prominent and unique formal feature of Chinese painting. It can be said that the line bears the brushwork and ink method of the Chinese painting picture, reflecting the inheritance of the painting at the technical level, and at the same time, through different strokes and lines, It also reflects the aesthetic interest and personality characteristics of the times of Chinese painting, from which we can read out the traces of thinking and cultural taste in the process of painters' creation. This paper attempts to analyze the author's thinking and pursuit of "linear" form in personal creation in the contemporary context from the angle of visual modeling and emotional expression. The first part of this paper, from the angle of simplicity and complexity, discusses the different development trends of Chinese and Western painting in line modeling, and makes a relatively general comparison. The main part is based on the author's creative experience. Talking about the simplicity and complexity of the linear pursuit of contemporary ink figure painting, simple refers to the mass consciousness of the linear pursuit of contemporary ink figure painting, and the complexity is the richness of the line way in the creation process of contemporary ink figure painting. In the second part, from the angle of linear emotional expression, through the differences of Chinese and western expression of linear emotion, the author tries to find out the expression of linear structure suitable for himself, combining with the western modern Gestalt aesthetics, combined with the author's painting practice. The consistency between linear structure and emotional expression is discussed. The third part of this article is taking my recent creation work "Night-seeking" as an example, combines the creative conception, the picture structure, the emotion expression and so on, from the modeling and the ideographic angle, specifically discusses my water and ink figure painting creation linearity pursue.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【共引文献】