中国意象油画中的“意象”之研究
发布时间：2018-12-28 18:17
【摘要】：随着艺术时代的发展,人们的审美意趣从以往一成不变的写实绘画风格慢慢地转为具有“意象”精神的意象油画的探索。意象油画不是表面字义上的用油彩去画中国画,它融合了中国传统审美意象的特征,力求在“似与不似之间”的造型上达到一种“物我合一”、“以意造境”虚实相生的艺术境界。意象油画把西方的油画材料和东方的文化精神、审美意趣相结合,在保留西方本土油画的同时,更加注重中国画韵中“似与不似之间”的造型、色彩、空间以及笔墨气韵,把中国画中意境的创造表现的淋漓尽致,从而使艺术作品中的“意象”韵味尤为显现。本文主要有五章节,其中重点是三、四两章内容。本论文主要从意象油画中的“意象”生成和西方流派对其影响出发,并通过对其“意象”的语言特征分析研究,以探索中国意象油画家油画作品中各具鲜明特色的“意象”追求。通过探索研究,使我们认识到意象油画中的“意象”表达形式吸取了东方绘画的审美内涵,不仅是对客观事物外在形式描绘的同时不拘泥于具体的物象形态、色彩等方面的直接表达,而且是在全身心与自然融合的同时追求艺术家内心情感精神的一种超脱之感,以其精心经营的艺术画面来表达“物我合一”的艺术境界。这在形式和内涵上都表现出了东方典型的艺术特色,对大自然的这种感悟透显出了中国艺术家特有的文化底蕴和审美取向。油画作为西方的舶来品,是发生于西方的艺术种类,在经历中国许多画家在西方油画探索实践的道路上,他们探索出来的西方油画已包含了中国民族本土化的艺术特色且带有很强的东方名族气质神韵。
[Abstract]:With the development of the art age, people's aesthetic interest has gradually changed from the unchanging style of realistic painting to the exploration of image oil painting with the spirit of "image". Image oil painting is not to paint Chinese painting with oil color on the surface meaning. It combines the characteristics of Chinese traditional aesthetic image and strives to achieve a kind of "integration of things and self" in the modeling of "resemblance and non-resemblance". The artistic realm of "creating the Conception with the will". Image oil painting combines western oil painting materials with Oriental cultural spirit and aesthetic interest. While retaining western local oil paintings, it pays more attention to the modeling, color, space and ink charm in the rhyme of Chinese painting. The creation of artistic conception in Chinese painting is incisive and incisive, so that the charm of "image" in art works is particularly apparent. This article has five chapters, among which the emphasis is three, four two chapters content. This thesis mainly starts from the generation of "image" in image oil painting and the influence of western schools on it, and through the analysis and research of its "image" language characteristics. In order to explore the Chinese image oil painter oil painting works with distinct characteristics of the pursuit of "image". Through exploration and research, we realize that the expression of "image" in image oil painting absorbs the aesthetic connotation of Oriental painting, which is not only to describe the external form of objective things, but also not to stick to the concrete object form. The direct expression of color and other aspects is a kind of transcendent feeling of pursuing the artist's inner emotional spirit while merging with the whole body and nature, and expresses the artistic realm of "the unity of matter and self" with the artistic picture of its meticulous management. Both in form and connotation, it shows the typical artistic characteristics of the East, and this understanding of nature shows the unique cultural background and aesthetic orientation of Chinese artists. Oil painting, as an import of the West, is a kind of art occurring in the West. It has experienced many Chinese painters on the way of exploration and practice in Western oil painting. The western oil paintings they have explored already contain the artistic characteristics of Chinese nationalization and have a strong charm of Oriental famous ethnic temperament.
【学位授予单位】：江苏师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213
本文编号：2394266
[Abstract]:With the development of the art age, people's aesthetic interest has gradually changed from the unchanging style of realistic painting to the exploration of image oil painting with the spirit of "image". Image oil painting is not to paint Chinese painting with oil color on the surface meaning. It combines the characteristics of Chinese traditional aesthetic image and strives to achieve a kind of "integration of things and self" in the modeling of "resemblance and non-resemblance". The artistic realm of "creating the Conception with the will". Image oil painting combines western oil painting materials with Oriental cultural spirit and aesthetic interest. While retaining western local oil paintings, it pays more attention to the modeling, color, space and ink charm in the rhyme of Chinese painting. The creation of artistic conception in Chinese painting is incisive and incisive, so that the charm of "image" in art works is particularly apparent. This article has five chapters, among which the emphasis is three, four two chapters content. This thesis mainly starts from the generation of "image" in image oil painting and the influence of western schools on it, and through the analysis and research of its "image" language characteristics. In order to explore the Chinese image oil painter oil painting works with distinct characteristics of the pursuit of "image". Through exploration and research, we realize that the expression of "image" in image oil painting absorbs the aesthetic connotation of Oriental painting, which is not only to describe the external form of objective things, but also not to stick to the concrete object form. The direct expression of color and other aspects is a kind of transcendent feeling of pursuing the artist's inner emotional spirit while merging with the whole body and nature, and expresses the artistic realm of "the unity of matter and self" with the artistic picture of its meticulous management. Both in form and connotation, it shows the typical artistic characteristics of the East, and this understanding of nature shows the unique cultural background and aesthetic orientation of Chinese artists. Oil painting, as an import of the West, is a kind of art occurring in the West. It has experienced many Chinese painters on the way of exploration and practice in Western oil painting. The western oil paintings they have explored already contain the artistic characteristics of Chinese nationalization and have a strong charm of Oriental famous ethnic temperament.
【学位授予单位】：江苏师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213
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，本文编号：2394266
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