“十七年”民间年画的女性形象研究
发布时间：2018-12-29 07:54
【摘要】：“十七年”民间年画是指1949年新中国成立至1966年文化大革命前夕这段时间内的年画作品。介于时代特殊性,“十七年”时期的小说、电影等艺术形式一直都是学界研究的热点。同样,作为一门古老而经典的传统艺术,年画在1949—1966年间也发生着巨大变化,乘着新中国成立的东风,传统年画完成了向新年画的转变,其生产机制、创作内容、出版发行等逐步成熟。而作为组成年画中的重要元素一—女性形象,在这些翻天覆地的变化中自然也被附上了特殊的色彩,理应成为“十七年”研究的关注对象。 1949年,新中国的诞生正式开启了妇女解放的道路,“男女平等”之核心观念深入人心。女性不再是男权附庸下的产物,她们终于得以和男性站在了同一起跑线上,开始大量参与到社会事务中来,不仅在各行各业中扮演着不可忽视的重要角色,而且常常不逊于男性,获得大力肯定与赞扬。尽管大量已有研究批评这一时期的女性形象缺乏性别特征和个体感受,是一些空洞的能指,但不可否认的是,此时女性形象的书写为当代中国提供了重要的价值观念,即甘阳所说“通三统”的平等价值观念。 本论文以“年画”这个最为贴近民生的艺术形式为载体,以当中的女性形象作为研究对象,选取了1949—1966年间全国范围内具有代表性的年画作品,对其中的女性形象进行深描与解读,以还原“十七年”时期日常生活中的女性形象,考察民俗经典对女性形象的建构与传播,以及背后的生产机制。通过研究,本论文力图对“十七年”年画中的女性形象进行总结,捕捉女性形象在这一时期的变化轨迹,探讨主流意识形态对文艺作品的渗透,及特殊年代中文艺作品的政治宣传功能。 本论文主要分为四章节：第一部分即绪论,主要讨论本文的研究缘起、文献综述、研究内容、研究方法等问题。第二部分是对“十七年”新年画概念与流变的梳理,这是把握年画中女性形象的前提与基础。第三部分则对“十七年”年画女性形象展开细致入微的论述,按照时代特征,该部分将“十七年”分为三个阶段：1949——1956、19571959、1960——1965,分别各时期中典型的女性形象予以深描,包括其特征、变化等,这也是本论文的重点章节。第四部分为总结与思考,在此对“十七年”年画中的女性形象进行集中分类,探讨其建构的意义与价值,挖掘表征背后的生产机制,在认识“十七年”生活图景中女性形象的同时,也为当今女性媒介形象的生活化书写提供借鉴意义。
[Abstract]:Folk New year Pictures of 17 years refers to the period between the founding of New China in 1949 and the eve of the Cultural Revolution in 1966. In view of the particularity of the times, the artistic forms of the 17-year period, such as novels and movies, have always been the hot spot of academic research. Similarly, as an ancient and classical traditional art, New year Pictures also had great changes in 1949-1966. Taking advantage of the founding of New China, traditional New year Pictures completed the transformation to the New year Pictures, its production mechanism and creative content. Publication and distribution are gradually maturing. As an important element in New year's Pictures, the female image is naturally attached with special colors in these earth-shaking changes, and should be the object of attention in the study of "seventeen years". In 1949, the birth of New China officially opened the road of women's liberation, and the core concept of "equality between men and women" was deeply rooted in people's hearts. Women are no longer the product of male subservience, they can finally stand on the same starting line with men, and begin to participate in social affairs in a large number, not only in various industries play an important role that can not be ignored. And often not inferior to men, won strong recognition and praise. Although a large number of studies have criticized the lack of gender identity and individual feelings of female images in this period, which are some empty signifiers, it is undeniable that the writing of female images at this time has provided important values for contemporary China. That is, Ganyang said that the "Tong three Unification" of equal values. This thesis takes "New year's Pictures", which is the most close to the people's livelihood, as the carrier, takes the female image as the research object, and selects the national representative New year's paintings from 1949 to 1966. In order to restore the female image in the period of "17 years", to investigate the construction and dissemination of the female image in folklore classics, and the production mechanism behind it. Through the research, this paper tries to summarize the female image in the New year painting of "seventeen years", catch the changing track of the female image in this period, and probe into the permeation of the mainstream ideology to the literary works. And the political propaganda function of literary works in special age. This paper is divided into four chapters: the first part is the introduction, mainly discusses the origin of this study, literature review, research content, research methods and other issues. The second part is to sort out the concept and evolution of the New year painting of 17 years, which is the premise and foundation of grasping the female image in the New year painting. The third part discusses the female images of "seventeen years" in detail. According to the characteristics of the times, this part divides "seventeen years" into three stages: 1949-1956-19571959-1960-1965. the typical female images in each period are described in depth. Including its characteristics, changes and so on, which is also the focus of this paper. The fourth part is summing up and thinking, in this paper, the author classifies the female image in the New year painting of seventeen years, discusses the significance and value of its construction, and excavates the production mechanism behind the representation. While recognizing the female image in the life picture of 17 years, it also provides reference for the living writing of the female media image.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.3;G206
本文编号：2394540
[Abstract]:Folk New year Pictures of 17 years refers to the period between the founding of New China in 1949 and the eve of the Cultural Revolution in 1966. In view of the particularity of the times, the artistic forms of the 17-year period, such as novels and movies, have always been the hot spot of academic research. Similarly, as an ancient and classical traditional art, New year Pictures also had great changes in 1949-1966. Taking advantage of the founding of New China, traditional New year Pictures completed the transformation to the New year Pictures, its production mechanism and creative content. Publication and distribution are gradually maturing. As an important element in New year's Pictures, the female image is naturally attached with special colors in these earth-shaking changes, and should be the object of attention in the study of "seventeen years". In 1949, the birth of New China officially opened the road of women's liberation, and the core concept of "equality between men and women" was deeply rooted in people's hearts. Women are no longer the product of male subservience, they can finally stand on the same starting line with men, and begin to participate in social affairs in a large number, not only in various industries play an important role that can not be ignored. And often not inferior to men, won strong recognition and praise. Although a large number of studies have criticized the lack of gender identity and individual feelings of female images in this period, which are some empty signifiers, it is undeniable that the writing of female images at this time has provided important values for contemporary China. That is, Ganyang said that the "Tong three Unification" of equal values. This thesis takes "New year's Pictures", which is the most close to the people's livelihood, as the carrier, takes the female image as the research object, and selects the national representative New year's paintings from 1949 to 1966. In order to restore the female image in the period of "17 years", to investigate the construction and dissemination of the female image in folklore classics, and the production mechanism behind it. Through the research, this paper tries to summarize the female image in the New year painting of "seventeen years", catch the changing track of the female image in this period, and probe into the permeation of the mainstream ideology to the literary works. And the political propaganda function of literary works in special age. This paper is divided into four chapters: the first part is the introduction, mainly discusses the origin of this study, literature review, research content, research methods and other issues. The second part is to sort out the concept and evolution of the New year painting of 17 years, which is the premise and foundation of grasping the female image in the New year painting. The third part discusses the female images of "seventeen years" in detail. According to the characteristics of the times, this part divides "seventeen years" into three stages: 1949-1956-19571959-1960-1965. the typical female images in each period are described in depth. Including its characteristics, changes and so on, which is also the focus of this paper. The fourth part is summing up and thinking, in this paper, the author classifies the female image in the New year painting of seventeen years, discusses the significance and value of its construction, and excavates the production mechanism behind the representation. While recognizing the female image in the life picture of 17 years, it also provides reference for the living writing of the female media image.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.3;G206
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