浅谈元代“墨花墨禽”花鸟画艺术风格对《墨痕》系列创作的启示

发布时间：2018-12-29 13:21

【摘要】：中国传统绘画艺术包罗万象、寓意八方。作为三大画科之一的花鸟画,体现了人与大自然的和谐相处,从而间接地反应社会生活,具有独特的审美趣味。在花鸟画的创作实践过程中,我们要理性的对待传统艺术,在批判中继承,在继承中大胆创新。本文以元代墨花墨禽绘画语言为切入点,分析从“徐黄异体”到“墨花墨禽”花鸟画艺术风格形成的时代背景与文学因素。进而探讨隐逸思想赋予花鸟画人格化的审美感悟以及在花鸟画创作中对于精神层面的审美追求。以王渊为例,从其独特的人文情怀与笔墨语言进行论述,并运用到笔者的创作中。浅谈工笔花鸟画创作的过程中,对题材的选取、技法的研究以及意境的营造的创新。我们应重视创新要建立在继承优秀传统的基础之上,与此同时还要注重对自身文学与艺术修养的提升。本论文主要采用个案研究法、文献研究法、图像分析法,通过分析花鸟画的演变,解读元代墨花墨禽绘画风格形成的原因,分析其审美旨趣。结合笔者在创作实践中的感悟,系统的将理论与实践相融合,以理论促进实践。此外,笔者意在通过实践研究中总结方法,创作出更加耐人寻味的作品,并达到与读者心灵上的共鸣。
[Abstract]:The traditional Chinese painting art is all-encompassing, implying all directions. As one of the three painting subjects, flower and bird painting embodies the harmony between human beings and nature, which indirectly reflects social life and has a unique aesthetic interest. In the process of flower-and-bird painting creation, we should treat traditional art rationally, inherit from criticism, and innovate boldly in inheritance. Based on the painting language of ink flower and bird in Yuan Dynasty, this paper analyzes the background and literary factors of the formation of the artistic style of flower and bird painting from "Xu Huang variant" to "ink flower ink bird". Then it discusses the aesthetic perception of humanization of flower and bird painting and the aesthetic pursuit of spiritual level in flower and bird painting creation. Taking Wang Yuan as an example, this paper discusses his unique humanistic feelings and pen and ink language, and applies them to the author's creation. The selection of theme, the study of techniques and the creation of artistic conception in the process of fine brushwork flower-and-bird painting creation. We should attach importance to innovation on the basis of inheriting excellent tradition, and at the same time, we should pay attention to the improvement of our own literary and artistic accomplishment. This paper mainly adopts the case study method, the literature research method, the image analysis method, through the analysis flower and bird painting evolution, unscrambles the Yuan Dynasty ink flower ink bird painting style formation reason, analyzes its esthetic purport. Combined with the writer's perception in the creative practice, the author systematically combines theory with practice and promotes practice with theory. In addition, the author intends to sum up the methods through practical research, create more intriguing works, and reach to the soul of the reader.
【学位授予单位】：山东工艺美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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