浅析20世纪80-90年代中国黑白木刻的表现语言
发布时间：2018-12-29 16:36
【摘要】：从20世纪80年代开始,中国改革开放以及社会经济政治的巨大变化,给中国美术界带来了新的思潮,版画这个曾经被视为“革命的武器”的艺术种类在这个时期也受到了这股思想热潮的强力冲击,并展示出了它全新的风貌。学院派版画开始兴起以及各类抒情版画的风靡让中国黑白木刻版画无论是在风格还是在题材和技术上都呈现出丰富多彩且十分繁荣的景象。艺术家们脱离了传统语言的束缚,在造型、构图和对美的追求上有了更多自己的想法,画面的内容不再是以传统的革命题材为主。各个地方的版画开始活跃频繁交流。新时期的版画家们开始注重个性的表现,借助西方的艺术理念并丰富中国黑白木刻版画的表现语言和形式。力求在刀法、黑白构成等方面的突破,增强了画面中的形式美感。有的艺术家还在构图和形体肌理等方面进行研究,突破了以往版画在构图形式等方面雷同的问题,开拓了版画艺术的新篇章。
[Abstract]:Since the 1980s, great changes in China's reform and opening up, as well as social, economic and political changes, have brought a new trend of thought to the Chinese art community. Printmaking, once regarded as a "revolutionary weapon", was also strongly impacted by this ideological craze in this period, and showed its brand-new features. The rise of academic printmaking and the popularity of all kinds of lyric prints make Chinese black-and-white woodcut prints present a rich and prosperous scene both in style and in subject matter and technology. Artists break away from the shackles of traditional language and have more ideas in modeling, composition and pursuit of beauty. The content of the picture is no longer based on traditional revolutionary themes. Printmaking in various places began to be active and frequent communication. In the new period, printmakers began to pay attention to the expression of individuality, with the help of western artistic ideas and enrich the expression language and form of Chinese black-and-white woodcut prints. Strive for a breakthrough in knife method, black and white constitution, enhance the aesthetic sense of form in the screen. Some artists also study the composition and texture of the body, breaking through the problem of the same composition form in the past, and opening up a new chapter in the art of printmaking.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J217
[Abstract]:Since the 1980s, great changes in China's reform and opening up, as well as social, economic and political changes, have brought a new trend of thought to the Chinese art community. Printmaking, once regarded as a "revolutionary weapon", was also strongly impacted by this ideological craze in this period, and showed its brand-new features. The rise of academic printmaking and the popularity of all kinds of lyric prints make Chinese black-and-white woodcut prints present a rich and prosperous scene both in style and in subject matter and technology. Artists break away from the shackles of traditional language and have more ideas in modeling, composition and pursuit of beauty. The content of the picture is no longer based on traditional revolutionary themes. Printmaking in various places began to be active and frequent communication. In the new period, printmakers began to pay attention to the expression of individuality, with the help of western artistic ideas and enrich the expression language and form of Chinese black-and-white woodcut prints. Strive for a breakthrough in knife method, black and white constitution, enhance the aesthetic sense of form in the screen. Some artists also study the composition and texture of the body, breaking through the problem of the same composition form in the past, and opening up a new chapter in the art of printmaking.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J217
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5 闫，
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