谈夜景油画的艺术特性及实践运用
发布时间：2019-01-05 18:55
【摘要】：风景油画作为绘画题材的一种,其发展演变已有几百年的历史,在历史的沉淀下,在无数人经验积累总结的条件下,无论从技法上还是表现形式上都已有十分完备的理论与实践基础。但对风景油画中的夜景油画,画界对其独特性及艺术表现缺乏关注。 夜景油画较之与其它风景画有其自身的独特性,主要表现在三个方面：1光源的独特性,它多采用月光和灯光作为光源；2色相与明度的对比性,色相对比强烈、明度对比明显的往往所表达的都是情感强烈、激情、生动、活泼的景象,而明度和强度对比弱的则往往表现朦胧、抒情、安静的月色美；3独特的审美性,由于夜景油画光源和环境的因素,画家在创作过程中抛开了对景色具体形象的描绘转而寻求对画面意境的表达或是创作思维中主观映像的传达。 对中西方夜景油画的发展脉络进行梳理,了解了其艺术风格、表现形式、技术特点的演变,并从普遍中选出三位具有代性画家的作品进行分析,主要从技术特点以及审美特点这两个方面进行深入细致的观察。这三位画家分别是梵高、吴冠中、颜文梁,他们的画作技法成熟且极富个人特点。如梵高的作品笔触强烈,蓝与黄强烈的色彩对比,是强烈情感的表达者；吴冠中追求表现夜晚朦胧、安静和在黑暗中泛出的点点星光,是写意与表现的完美结合者；颜文梁的作品其选材的时间段往往是太阳光还未完全退去而月亮已明亮的挂在天空中之时,此时既能看清自然的景色又能借助月亮表达宁静抒情的感受,他是宁静与抒情的缔造者。 在经过对夜景油画名作的大量分析之后我决定将理论运用于实践当中去,画一批关于夜景的创作,并结合创作谈谈对夜景油画的认识,以及在创作过程中碰到的困难和解决办法。最后通过对现有作品的分析对未来夜景油画发展作一个展望,并对其发展方向有一个主观性的判断。
[Abstract]:Landscape oil painting as a painting subject matter, its development and evolution has been hundreds of years of history, in the precipitation of history, under the conditions of countless people's experience accumulation and summary, Both from the technique and the form of expression have a very complete theoretical and practical basis. But to the night scene oil painting in the landscape oil painting, the painting circles lacks the attention to its uniqueness and artistic expression. Compared with other landscape paintings, night oil painting has its own uniqueness, mainly in three aspects: 1 the uniqueness of light source, it mostly uses moonlight and light as light source; (2) contrast of hue and brightness, strong contrast of hue, obvious contrast of brightness often expresses strong emotion, passion, vividness and lively scene, while weak contrast of brightness and intensity often shows vague and lyric feelings, Quiet moonlight beauty; Due to the factors of light source and environment of the night scene oil painting, the painter put aside the description of the specific image of the scenery and sought to express the artistic conception of the picture or convey the subjective image in the creative thinking in the process of creation. Combing the development of night oil paintings in China and the West, understanding the evolution of their artistic style, forms of expression, and technical characteristics, and selecting three works of generation painters from the general public for analysis. Mainly from the technical characteristics and aesthetic characteristics of these two aspects of in-depth and meticulous observation. The three painters are Van Gogh, Wu Guanzhong, and Yan Wenliang. Such as Van Gogh's strong brush strokes, blue and yellow strong color contrast, is a strong expression of emotion, Wu Guanzhong pursuit of the performance of the night hazy, quiet and in the darkness of the dots of starlight, is the perfect combination of freehand brushwork and performance; Yan Wenliang's works often have a period of time when the sun's light has not completely receded and the moon is brightly hanging in the sky. At this time, the natural scenery can be seen and the peaceful and lyrical feelings can be expressed with the help of the moon. He was the architect of serenity and lyricism. After a great deal of analysis of the famous paintings of night scenes, I decided to apply my theory to practice, to draw a lot of works about night scenes, and to talk about my understanding of night oil paintings in the light of creation. And in the creative process encountered difficulties and solutions. Finally, through the analysis of the existing works, the future development of night scene oil painting is prospected, and the direction of its development has a subjective judgment.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
本文编号：2402171
[Abstract]:Landscape oil painting as a painting subject matter, its development and evolution has been hundreds of years of history, in the precipitation of history, under the conditions of countless people's experience accumulation and summary, Both from the technique and the form of expression have a very complete theoretical and practical basis. But to the night scene oil painting in the landscape oil painting, the painting circles lacks the attention to its uniqueness and artistic expression. Compared with other landscape paintings, night oil painting has its own uniqueness, mainly in three aspects: 1 the uniqueness of light source, it mostly uses moonlight and light as light source; (2) contrast of hue and brightness, strong contrast of hue, obvious contrast of brightness often expresses strong emotion, passion, vividness and lively scene, while weak contrast of brightness and intensity often shows vague and lyric feelings, Quiet moonlight beauty; Due to the factors of light source and environment of the night scene oil painting, the painter put aside the description of the specific image of the scenery and sought to express the artistic conception of the picture or convey the subjective image in the creative thinking in the process of creation. Combing the development of night oil paintings in China and the West, understanding the evolution of their artistic style, forms of expression, and technical characteristics, and selecting three works of generation painters from the general public for analysis. Mainly from the technical characteristics and aesthetic characteristics of these two aspects of in-depth and meticulous observation. The three painters are Van Gogh, Wu Guanzhong, and Yan Wenliang. Such as Van Gogh's strong brush strokes, blue and yellow strong color contrast, is a strong expression of emotion, Wu Guanzhong pursuit of the performance of the night hazy, quiet and in the darkness of the dots of starlight, is the perfect combination of freehand brushwork and performance; Yan Wenliang's works often have a period of time when the sun's light has not completely receded and the moon is brightly hanging in the sky. At this time, the natural scenery can be seen and the peaceful and lyrical feelings can be expressed with the help of the moon. He was the architect of serenity and lyricism. After a great deal of analysis of the famous paintings of night scenes, I decided to apply my theory to practice, to draw a lot of works about night scenes, and to talk about my understanding of night oil paintings in the light of creation. And in the creative process encountered difficulties and solutions. Finally, through the analysis of the existing works, the future development of night scene oil painting is prospected, and the direction of its development has a subjective judgment.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
【参考文献】
相关期刊论文 前2条
1 罗尔纯;谈绘画的乡土味[J];美术研究;1983年01期
2 杨志红;西方风景画发展线索[J];邢台职业技术学院学报;2001年04期
，本文编号：2402171
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