台湾野柳题材山水画创作研究

发布时间：2019-01-05 19:32

【摘要】：野柳地貌因为其独特的地理风貌,极其具有绘画价值。由于一些原因,以此为题材进行创作的画家非常稀少,这使得野柳风貌题材具有很大潜力可以进行研究创作。一方面,对野柳风貌的研究创作可以为山水画题材提供新的素材。另一方面,对野柳风貌题材的研究创作有助于用国画形式去表现新的绘画语言的形成,对今后其它画家进行创作提供相关的实践经验。此论文以创作野柳题材的过程为主要基本构架。通过分析野柳风貌特色的山体结构和当地具有的特色岩质,去寻找适合山质的山水画中的传统皴法进行实践。其次,运用当代的一些技法和表现形式进行创作。本文分为四个部分,第一部分导言部分为研究意义、研究综述、研究方案和本文的创新与不足。第二部分为野柳题材的概括,介绍了野柳的自然特征和野柳题材的研究背景。本文的第三部分和第四部分是本文的重点,其中第三部分是野柳题材创作的过程,在这一部分我将其分为三个部分:其一、创作缘起、构思立意。其二、积累素材,写生实践。其三、具体实施,作品分析。通过分析创作的《山的那边》、《野柳印象》系列等作品阐释创作过程与理念。第四部分是野柳题材创作的延伸性思考,是通过创作的思考与心得。在具体的创作实践中,对于表现形式和水墨技法进行了大胆的尝试。在表现形式以“以小见大”抽取地貌特点进行放大创作的方式进行尝试,对山石进行一种意象化的处理方式。对于处理水与山石的关系上也提出了独特的想法。在绘画语言和水墨技法表达上,因地制宜,分析野柳地貌的特征,将传统皴法相互融合,形成新的绘画语言。
[Abstract]:Willow geomorphology, because of its unique geographical features, extremely painting value. For some reasons, there are very few artists who create this theme, which makes wild willow theme have great potential for research and creation. On the one hand, the research and creation of wild willow features can provide new materials for landscape painting. On the other hand, the research and creation of wild willow style and features is helpful to express the formation of new painting language in the form of traditional Chinese painting, and to provide relevant practical experience for other painters in the future. This thesis is based on the process of creating willow theme. By analyzing the mountain structure of wild willow features and the local characteristic rock quality, this paper tries to find out the traditional chapping method in landscape painting which is suitable for mountain quality. Secondly, use some contemporary techniques and forms of expression to create. This paper is divided into four parts. The first part is the research significance, research summary, research scheme and the innovation and deficiency of this paper. The second part is the summary of willow theme, introduces the natural characteristics of willow and the research background of willow theme. The third part and the fourth part are the emphases of this paper. The third part is the process of willow's creation. In this part, I divide it into three parts: first, the origin of creation, the conception of intention. Second, accumulate material, sketch practice. Third, the concrete implementation, the work analysis. Through the analysis of the creation of "the other side of the mountain", "Willow impression" series and other works to explain the creative process and ideas. The fourth part is the extended thinking of willow theme creation, through the creative thinking and experience. In the concrete creation practice, has carried on the bold attempt to the expression form and the ink technique. In the form of expression of "through a small part of the whole" extraction geomorphological characteristics of the way of magnification to try to deal with the mountains and rocks an image of the way. For the treatment of the relationship between water and rock also put forward a unique idea. On the expression of painting language and ink painting technique, according to local conditions, the characteristics of willow landform are analyzed, and the traditional chapping method is combined with each other to form a new painting language.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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