当代油画创作与中国传统文化的融合

发布时间：2019-01-08 13:41

【摘要】：科技与工业的进步逐渐改变了人与自然以及人与人之间的关系,改变了传统的思维模式,改变了传统的生活方式,并且加快了生活的节奏。异于之前单一的的物质追求,人们的精神需求逐步得到重视。在多种文化思想、经济形态共存的当代商业社会中,人们进行艺术品消费的目的也已经不再是单纯的为了满足实际的审美需求,进而注重艺术作品蕴含的内在思考以及寻求心灵上共鸣。故此,现代艺术家必须选择新的满足当今社会消费诉求的艺术语言来描绘眼前日新月异的世界。受当今全球化语境的影响以及国际艺术市场的干预,越来越多的中国艺术家开始尝试在油画创作中运用一些更为关注个人视角的,观念性的,具有明显个性特征的图示化,符号化语言进行艺术观念的表达。自“八五新潮”之后,人们的观念发生了翻天覆地的变化,从一味崇尚“英雄主义”到开始思索个人的生存现状。艺术语言从单一的现实主义延伸到多元化多角度传播个性化语言。在中国艺术市场化的推波助澜下,中国式符号也被更广泛的被运用在当代绘画之中。我们热衷于旁顾西方当代艺术的发展,从中汲取现代性、后现代性的观念意识,学习他们丰富新颖的色彩运用和形式构成；我们也在时代背景下的中国传统文化中寻找元素,增加艺术创作的民族化特色；而这恰好也是组成中国特色的形式美的两个方面,前者在于寻求当代油画创作的构成规律,后者在于寻求构成中国特色的“质料”。这些积累,发展到如今,为中国当代油画的创作融入了一种令人怦然心动的冲击力。正如艺术大师潘鸿海所言,中国当代艺术近几年才真正兴起,我们不能盲目的攀比世界当代艺术,中国的艺术家还是要用东方的语言,把东方的艺术元素和传统文化作为创作的精神制高点去作画。
[Abstract]:The progress of science and technology and industry has gradually changed the relationship between man and nature and between man and man, changed the traditional mode of thinking, changed the traditional way of life, and accelerated the rhythm of life. Different from the single material pursuit before, people's spiritual needs are gradually taken seriously. In the contemporary commercial society in which multi-cultural ideas and economic forms coexist, the purpose of people's art consumption is no longer simply to meet the actual aesthetic needs. And then pay attention to the internal thinking contained in the works of art and seek spiritual resonance. Therefore, modern artists must choose the new artistic language to meet the demands of social consumption in order to describe the changing world. Under the influence of the globalization context and the intervention of the international art market, more and more Chinese artists have begun to try to apply some more personal perspective, conceptual, with obvious personality characteristics in oil painting. Symbolic language is used to express artistic ideas. Since the eighth Five-Year Plan, people's ideas have changed dramatically, from advocating heroism to thinking about the status quo of individual existence. The artistic language extends from the single realism to the multi-angle dissemination of individualized language. Driven by the marketization of Chinese art, Chinese symbols are more widely used in contemporary painting. We are keen to look around the development of Western contemporary art, draw from the modernity, the concept of post-modernity consciousness, to learn their rich and novel color application and form; We also look for elements in the traditional Chinese culture under the background of the times to increase the nationalization characteristics of artistic creation; These are two aspects of the formal beauty that make up Chinese characteristics. The former is to seek the law of composition of contemporary oil paintings, and the latter is to seek the "material" that constitutes Chinese characteristics. These accumulations, developed to the present, for the Chinese contemporary oil painting creation into a kind of exciting impact. As Pan Honghai, an art guru, said, Chinese contemporary art has only really risen in recent years. We cannot blindly compare contemporary art in the world. Chinese artists still have to use the language of the East. The oriental elements of art and traditional culture as the spiritual point of creation to paint.
【学位授予单位】：青岛科技大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

【共引文献】