抽象元素在现当代中国画艺术语言中的演变与发展
发布时间：2019-01-09 09:51
【摘要】：每种艺术类型的存在都有着特殊的历史背景和现实基础，就像每个民族一样都有它们特殊的语言文字和精神面貌。在世界文化的历史长河中，中国的抽象绘画在西方抽象主义思潮的滋养和影响之下，借助抽象形式的外在特征来传达自己的审美理想。本文在研究过程中，不仅借鉴国内外已有的研究成果，而且通过与西方抽象主义的发展状况进行纵向和横向的综合比较，对中国抽象绘画的发展做了简明的阐述。在研究中着重描述抽象元素在现代中国画艺术语言中的演变与发展，展现了中国抽象绘画在艺术发展过程中被认可和被普及的过程。 20世纪的中国现代艺术运动中，抽象艺术作为主力军一直在悄无声息地持续发展着，虽然抽象绘画本身存在着很多的争议性，有积极的方面也有消极的方面，这也导致了学术界在其研究过程中的疏忽和不准确性。本文从抽象元素的起源探究开始，通过对中西方抽象文化的比较，结合多位重要抽象艺术家的艺术实践，在与抽象理论相结合的同时，分析整理出中国现当代抽象艺术发展历程中可借鉴的部分，，在进行深入研究的同时从而拉近大众与抽象绘画的距离，我们也能创作出更好的抽象绘画作品。
[Abstract]:The existence of each kind of art has its special historical background and realistic foundation, just like every nation, it has its special language and spirit. In the long history of world culture, Chinese abstract painting is nurtured and influenced by western abstract ideology, and conveys its aesthetic ideal with the help of the external characteristics of abstract form. In the course of the research, this paper not only draws lessons from the existing research results at home and abroad, but also makes a concise exposition on the development of Chinese abstract painting through a comprehensive comparison with the development of western abstractism. The study focuses on the evolution and development of abstract elements in the art language of modern Chinese painting, showing the process of Chinese abstract painting being recognized and popularized in the process of art development. In the 20th century Chinese modern art movement, abstract art as the main force has been quietly and continuously developing, although abstract painting itself has a lot of controversy, there are both positive and negative aspects. This also led to the academic neglect and inaccuracy in its research process. This paper begins with the exploration of the origin of abstract elements, through the comparison between Chinese and Western abstract culture, and combines the artistic practice of many important abstract artists, while combining with abstract theory. By analyzing and sorting out the parts that can be used for reference in the development of Chinese modern and contemporary abstract art, we can draw closer the distance between the public and the abstract painting, and we can also create better abstract painting works.
【学位授予单位】：山东理工大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
本文编号：2405462
[Abstract]:The existence of each kind of art has its special historical background and realistic foundation, just like every nation, it has its special language and spirit. In the long history of world culture, Chinese abstract painting is nurtured and influenced by western abstract ideology, and conveys its aesthetic ideal with the help of the external characteristics of abstract form. In the course of the research, this paper not only draws lessons from the existing research results at home and abroad, but also makes a concise exposition on the development of Chinese abstract painting through a comprehensive comparison with the development of western abstractism. The study focuses on the evolution and development of abstract elements in the art language of modern Chinese painting, showing the process of Chinese abstract painting being recognized and popularized in the process of art development. In the 20th century Chinese modern art movement, abstract art as the main force has been quietly and continuously developing, although abstract painting itself has a lot of controversy, there are both positive and negative aspects. This also led to the academic neglect and inaccuracy in its research process. This paper begins with the exploration of the origin of abstract elements, through the comparison between Chinese and Western abstract culture, and combines the artistic practice of many important abstract artists, while combining with abstract theory. By analyzing and sorting out the parts that can be used for reference in the development of Chinese modern and contemporary abstract art, we can draw closer the distance between the public and the abstract painting, and we can also create better abstract painting works.
【学位授予单位】：山东理工大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
【参考文献】
相关期刊论文 前3条
1 王江鹏;;浅论中国画表现方法的抽象性[J];文艺评论;2008年02期
2 易英;;抽象艺术与中国当代艺术经验——艺术史的社会学批评[J];文艺研究;2007年05期
3 周天黎;;中国绘画艺术创新与发展的思考[J];新美术;2006年04期
本文编号：2405462
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