“唐妆”与唐代仕女画关联性研究

发布时间：2019-01-09 14:15

【摘要】：从古至今,女性形象在绘画作品中不断存在并发展着。而在中国,仕女画作为一个独立的艺术门类,有其独有的风格特征。仕女画的形成由来已久,早在唐之前,仕女画就已经出现了。唐朝时期经济繁荣政局稳定,对外交流十分频繁,在这样一个繁荣的历史时期,由于前期各民族文化的交流与融合,时代的风格特征也较具有兼容性。强大的民族自信心促进了唐对于外来文化有益因子的吸收,外来文化在唐文化的影响下,也开始将本民族的文化融入大唐文化,推动唐代社会文化审美的发展,并形成具有鲜明的民族文化特征。在诸种文化风俗的相互交流影响的作用下,使得大唐时期人们的文化生活及审美呈现出繁荣景象。这个时期,政治经济发展繁荣,文化审美也随之发展。仕女画的发展也在这个时期达到了顶峰。开化的的社会意识,繁荣的经济条件,以及这个时期对于人体的自我表现意识的增强,促使唐代女性妆饰风格的发展。唐代女性的妆饰特征不断发展、创新,形成了具有时代特点、民族特色的妆饰风格。这个时期的女性妆饰风格多样,且女子接触时间早,受民族融合的影响,妆饰大胆夸张,张扬个性,表达独特的审美特征。本文主要通过唐代女性妆饰特征,来探析唐代女性妆饰与唐代仕女画的关联性。对唐代女性妆饰特征的分析,主要包括面妆、发式、佩饰、服饰、鞋履五个部分。从其各自的发展演变,面妆又包含了面饰、眉眼妆、唇妆;其中面饰又分为面脂、额黄、花钿、面靥、斜红。佩饰包含发饰、耳饰、颈饰、手饰、带饰;其中发式又分为簪、钗、梳篦、步摇等。唐代女性妆饰与唐代仕女画的发展相互关联。唐代女性妆饰风格的发展,对唐代仕女画绘画艺术的影响,无论是从艺术题材,艺术审美,亦或是形象特征,对唐代仕女画造型特征的影响都极为明显。唐代女性妆饰风格华丽夸张,雍容繁缛,促进了唐代仕女画绘画作品色彩的构成,以及画面布局风格发展。唐代仕女画在其传播的过程中,推动唐代女性妆饰风尚的传播,也为唐代女性妆饰提供了审美的标准;画家在艺术创作过程中,对于艺术形象的艺术提升,为唐代女性妆饰的改良发展起到推动的作用。通过以上研究,旨在探究唐代女性妆饰与唐代仕女画的关联,两者在发展演变的过程中,互为依托,相互促进。
[Abstract]:From ancient times to the present, the female image in the painting constantly exists and develops. In China, as an independent category of art, painting has its unique style characteristics. The formation of female painting has a long history, as early as before the Tang Dynasty, the painting has appeared. During the Tang Dynasty, economic prosperity and political stability, foreign exchanges are very frequent, in such a prosperous historical period, due to the early exchange and integration of various ethnic cultures, the style of the era is more compatible. Strong national self-confidence promoted the absorption of beneficial factors of foreign culture in Tang Dynasty. Under the influence of Tang culture, foreign culture also began to integrate the culture of this nation into the culture of the Tang Dynasty, thus promoting the development of social and cultural aesthetics in the Tang Dynasty. And the formation has the distinct national culture characteristic. Under the influence of various kinds of cultural customs, the cultural life and aesthetics of people in the Tang Dynasty showed a prosperous scene. In this period, the development of political and economic prosperity, cultural aesthetic development. The development of female painting also reached its peak in this period. The civilized social consciousness, the prosperous economic condition, and the enhancement of the self-expression consciousness of the human body during this period promoted the development of the Tang Dynasty female adornment style. The adornment characteristics of women in Tang Dynasty developed and innovated, forming the adornment style with the characteristics of the times and nationalities. The women in this period have various adornment styles and early contact time. Influenced by the national integration, they exaggerate boldly, spread their individuality and express their unique aesthetic characteristics. This article mainly through the Tang Dynasty female adornment characteristic, analyzes the Tang Dynasty feminine adornment and Tang Dynasty lady painting relevance. The analysis of the features of female ornaments in Tang Dynasty includes five parts: facial makeup, hairstyle, ornaments, costumes, shoes and footwear. From their development and evolution, facial makeup includes facial ornaments, eyebrow makeup, lip makeup, which is divided into facial fat, forehead yellow, mother-of-pearl, face dimple, oblique red. Ornaments include hair ornaments, ear ornaments, neck ornaments, hand ornaments, belt ornaments, among which hairstyle is divided into hairpin, comb, step and so on. The female ornaments of the Tang Dynasty are interrelated with the development of the painting of the ladies in the Tang Dynasty. The development of women's adornment style in Tang Dynasty has a great influence on the painting art of ladies' paintings in Tang Dynasty, whether in terms of artistic subject matter, artistic aesthetics, or image features, and the influence on the styling characteristics of Tang Dynasty ladies' paintings. Tang Dynasty women adornment style gorgeous exaggeration, elegant and elaborate, promoted the Tang Dynasty lady painting color composition, as well as picture layout style development. In the process of spreading the painting of ladies in the Tang Dynasty, it promoted the spreading of the fashion of women's ornaments in the Tang Dynasty, and also provided the aesthetic standard for the women's ornaments in the Tang Dynasty. In the process of artistic creation, painters play an important role in promoting the improvement of artistic image and the improvement and development of female adornment in Tang Dynasty. Through the above study, the purpose of this study is to explore the relationship between the Tang Dynasty women ornaments and the Tang Dynasty women painting, both in the process of development and evolution, rely on each other and promote each other.
【学位授予单位】：淮北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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