元代花鸟画诗画意境研究
发布时间：2019-01-10 19:24
【摘要】：元代花鸟画在中国绘画史上占有其独特而又重要的地位,对后世产生深远影响。虽然现代学者对其有诸多研究,但仍然有很多问题需要进行深入探讨。本文从五个部分来阐述元代花鸟画的诗画意境:第一部分介绍了元代花鸟画的特征;第二部分将元代花鸟画诗画意境的表达方式和本质特点做出更清晰的分类以及更深入的研究:第一:先研究它的表达方式,从两个方面分析,首先以花鸟画的构图来传达意境,构图具体介绍了全景构图和折枝构图;其次,是构图中诗画合一的表达方式,具体从构图中的诗画关系、诗画书写的两方面来说明。第二:研究花鸟画诗画意境的本质特点,重点对画的意境和诗的意境阐述。画的意境从两方面说明,一是阐释了什么是画的意境,二是以工笔花鸟画和水墨画为背景,从用笔与用色两个方面进行总结分析;诗的意境从两方面说明,一是了解诗的意境的概念,二是重点分析了元代画中诗意境的特点。第三部分介绍了诗境与画境之间的关系:首先是绘画的诗意性表达,主要分析了以画为主体,诗歌为辅助;其次是诗意对画境的外化作用:重点介绍了以诗为主题进行绘画创作的实例;第三是诗情与画意的相融性:从诗和画在表达方式和传达意境上相互融合相互弥补来论证。第四部分重点用实例论证以上的论点,通过对元代花鸟画家钱选、王冕、吴镇、王渊、柯九思的作品进行诗画解析,进一步印证诗画意境的表现。第五部分是对现代花鸟画家的一些启示,重视传统的同时也要追求创新。本文将以元代花鸟画的发展为开端,重点对元代花鸟画中诗画意境的表达方式与本质特点以及诗画意境之间的关系进行研究,通过对著名元代花鸟画家的作品进行诗画解析,希望对现代花鸟画家的理论研究和绘画创作有一定的意义和借鉴作用。
[Abstract]:The flower and bird painting in Yuan Dynasty occupies a unique and important position in the history of Chinese painting and has a profound influence on later generations. Although there are many researches on it by modern scholars, there are still many problems that need to be discussed in depth. This paper expounds the artistic conception of the flower and bird painting in Yuan Dynasty from five parts: the first part introduces the characteristics of the flower and bird painting in Yuan Dynasty; The second part makes a clearer classification and more in-depth research on the expression mode and essential characteristics of the artistic conception of the flower and bird paintings in Yuan Dynasty. First, it studies its expression mode, analyzes from two aspects, and first conveys the artistic conception by the composition of the flower and bird paintings. The panoramic composition and the twisted-branch composition are introduced in detail. Secondly, it is the expression of the combination of poetry and painting in composition, which is explained from the relationship of poetry and painting in composition and the writing of poetry and painting. The second part is to study the essential characteristics of the artistic conception of the flower and bird paintings, focusing on the artistic conception of the painting and the artistic conception of the poem. The artistic conception of painting is explained from two aspects, one is to explain what is the artistic conception of painting, the other is to sum up and analyze from the two aspects of brush and color in the background of fine brushwork and bird painting and ink painting; The artistic conception of poetry is explained from two aspects, one is to understand the concept of artistic conception of poetry, and the other is to analyze the characteristics of artistic conception of poetry in the paintings of Yuan Dynasty. The third part introduces the relationship between poetry and painting: first, the poetic expression of painting, mainly analyzes the painting as the main body, poetry as the auxiliary; The second is the externalization of poetry to the painting environment: the emphasis is on the examples of painting creation with poetry as the theme; the third is the harmony of poetry and painting: the demonstration is made up from the mutual fusion of poetry and painting in the expression and conveyance of artistic conception. The fourth part uses examples to demonstrate the above arguments, through the Yuan Dynasty flower and bird painter Qian Xuan, Wang Mian, Wu Zhen, Wang Yuan, Ke Jiusi's works of poetry and painting analysis, to further verify the performance of the artistic conception of poetry and painting. The fifth part is some enlightenment to modern flower and bird painters, which should pursue innovation while attaching importance to tradition. Starting with the development of flower and bird painting in Yuan Dynasty, this paper focuses on the expression mode and essential characteristics of artistic conception and the relationship between artistic conception of poetry and painting in the flower and bird painting of Yuan Dynasty, and analyzes the works of famous flower and bird painters of Yuan Dynasty through the analysis of poetry and painting. It is hoped that it will be of significance and reference to the theoretical research and painting creation of modern flower and bird painters.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
[Abstract]:The flower and bird painting in Yuan Dynasty occupies a unique and important position in the history of Chinese painting and has a profound influence on later generations. Although there are many researches on it by modern scholars, there are still many problems that need to be discussed in depth. This paper expounds the artistic conception of the flower and bird painting in Yuan Dynasty from five parts: the first part introduces the characteristics of the flower and bird painting in Yuan Dynasty; The second part makes a clearer classification and more in-depth research on the expression mode and essential characteristics of the artistic conception of the flower and bird paintings in Yuan Dynasty. First, it studies its expression mode, analyzes from two aspects, and first conveys the artistic conception by the composition of the flower and bird paintings. The panoramic composition and the twisted-branch composition are introduced in detail. Secondly, it is the expression of the combination of poetry and painting in composition, which is explained from the relationship of poetry and painting in composition and the writing of poetry and painting. The second part is to study the essential characteristics of the artistic conception of the flower and bird paintings, focusing on the artistic conception of the painting and the artistic conception of the poem. The artistic conception of painting is explained from two aspects, one is to explain what is the artistic conception of painting, the other is to sum up and analyze from the two aspects of brush and color in the background of fine brushwork and bird painting and ink painting; The artistic conception of poetry is explained from two aspects, one is to understand the concept of artistic conception of poetry, and the other is to analyze the characteristics of artistic conception of poetry in the paintings of Yuan Dynasty. The third part introduces the relationship between poetry and painting: first, the poetic expression of painting, mainly analyzes the painting as the main body, poetry as the auxiliary; The second is the externalization of poetry to the painting environment: the emphasis is on the examples of painting creation with poetry as the theme; the third is the harmony of poetry and painting: the demonstration is made up from the mutual fusion of poetry and painting in the expression and conveyance of artistic conception. The fourth part uses examples to demonstrate the above arguments, through the Yuan Dynasty flower and bird painter Qian Xuan, Wang Mian, Wu Zhen, Wang Yuan, Ke Jiusi's works of poetry and painting analysis, to further verify the performance of the artistic conception of poetry and painting. The fifth part is some enlightenment to modern flower and bird painters, which should pursue innovation while attaching importance to tradition. Starting with the development of flower and bird painting in Yuan Dynasty, this paper focuses on the expression mode and essential characteristics of artistic conception and the relationship between artistic conception of poetry and painting in the flower and bird painting of Yuan Dynasty, and analyzes the works of famous flower and bird painters of Yuan Dynasty through the analysis of poetry and painting. It is hoped that it will be of significance and reference to the theoretical research and painting creation of modern flower and bird painters.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
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相关期刊论文 前9条
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