《花笺记》自述

发布时间：2019-01-16 06:07

【摘要】：正我的绘画像是自己对生活碎片式的经历和体悟,故而,我的思维和绘画图式间的关系总是若即若离。我会将各种在日常生活中的所思所想记录下来。我觉得,类似"忧郁症"、"轨迹"、"表现欲"等概念,一旦找到可以付诸于形的物象时,就会成就新的作品。很多人在没有看过我作品前,是无法联想到那种画面中的并置和组合关系的。就像茶跟咖啡,似乎是相互冲突,不搭调的。我还以为,当代与传统的界线并非泾渭分明,文化的脉络是一以贯之的,如果能够把握住文化的根基和精髓,技法也罢,所选择的意象也罢,都可以弃之不顾。事实上,当代艺术和传统艺术间的区别都只是表象。我将看似
[Abstract]:My painting is like my own experience and understanding of life fragments, so the relationship between my thinking and painting schemata is always inseparable. I will write down all kinds of thoughts and thoughts in my daily life. I think concepts such as depression, locus, and desire, once you find an object that can be applied to form, will make a new work. A lot of people can't think of the juxtaposition and combination before they see my work. Just like tea and coffee, they seem to be in conflict and out of tune. I also think that the line between contemporary and traditional is not clear, cultural context is consistent, if we can grasp the foundation and essence of culture, techniques, choose the image, can be abandoned. In fact, the difference between contemporary art and traditional art is only superficial. I'll look like
【作者单位】： 中国艺术研究院艺术创作院;
【分类号】：J212
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本文编号：2409539