浅析创作《千山暮雪》之中国“油画民族化”初探

发布时间：2019-01-24 15:38

【摘要】：西方油画发展到今天形式多样,内容丰富,表现手法变化无穷,优秀作品的产生不仅源于当下的生活,更扎根于中国千年的传统文化底蕴。当代油画风景的画家们把中国传统美学中的“意向说”等观念作为指导思想,借西方传统油画丰富的形式体系,再不断从中国山水画崇尚“意境”开拓的传统中吸取营养,寻求其发展。因此艺术家们在不同程度上都受到了包括山水画在内的中国传统文化艺术的影响,如艺术家赵无极,苏天赐,张冬峰,洪凌等著名画家是将中国传统文化与油画进行结合的成功画家。他们以中国画的用笔,意境与油画的色彩结合起来,用形、色、点、线、面等结合来传达自己内在的情感,成功的在油画作品中体现了中国画特有的意境和韵味。他们的油画风景作品中传承着中国传统的审美观念和油画的本质特征,这种绘画手法既符合中国文化的内涵,又能融汇中西,在一定程度上能够代表着未来中国油画风景的发展方向。本文通过中国油画家从上世纪二十年代至今在民族化这一问题上进行的探索,具体浅析了中国“油画民族化”的概况以及走民族化道路的重要性。文章结合自己的创作实践,从中国油画的表现形式上进一步说明了油画要想在中国得到更好地发展,不仅要学习西方油画的基本技巧,还要继承和发扬中国传统绘画的精髓,相互结合,相互补充以达到中西结合,才能创造出具有时代精神、地方色彩、个性特征和民族特色的中国油画。
[Abstract]:Western oil painting has developed to today in a variety of forms, rich in content, unlimited expression methods, the generation of excellent works not only from the current life, but also rooted in the traditional Chinese cultural heritage of the millennium. The painters of contemporary oil painting take the idea of "intention theory" in Chinese traditional aesthetics as their guiding ideology, borrow the rich form system of western traditional oil painting, and continue to absorb nutrition from the tradition of advocating "artistic conception" in Chinese landscape painting. To seek its development. As a result, artists have to varying degrees been influenced by traditional Chinese culture and art, including landscape paintings, such as artists Zhao Wuji, Su Tianzi, and Zhang Dongfeng. Hongling and other famous painters are successful painters who combine Chinese traditional culture with oil painting. They use the Chinese painting pen, artistic conception and oil painting color combination, with shape, color, point, line, face and other combination to convey their internal feelings, successful in the oil painting reflects the unique artistic conception and charm. In their paintings and landscapes, they inherit the traditional Chinese aesthetic concept and the essential characteristics of oil paintings. This painting technique not only conforms to the connotation of Chinese culture, but also integrates Chinese and Western cultures. To a certain extent, it can represent the future development direction of Chinese oil painting landscape. Through the exploration of the nationalization of Chinese oil painters from the 1920s to the present, this paper analyzes the general situation of Chinese oil painting nationalization and the importance of taking the nationalization road. Combined with his own creative practice, the article further illustrates that oil painting in order to get a better development in China, not only to learn the basic skills of Western oil painting, but also to inherit and carry forward the essence of traditional Chinese painting. Only by combining and complementing each other to achieve the combination of China and the West can we create Chinese oil paintings with the spirit of the times, local color, personality and national characteristics.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

【共引文献】