现代工笔重彩画材料语言的探究
发布时间：2019-01-24 18:36
【摘要】：古人云：“致天下之精材料，来天下之良木，则有战胜之器美。”材料，一种具有自身美感的物质形态，是艺术创作的物质基础，是艺术表现形式的重要载体。材料自身属性的不同，使用的方式也就不一样，，在特定的审美语境中表达着不同的观念和情感。当代艺术家通过对材料的了解和认识，对其有效的消解，重构，探寻，材质本体的审美得到确立并逐步成为承载文化精神的主体。 本文以材料角度重新认识现代工笔重彩画，在探究其材料语言的发展规律上以及独特的审美价值的基础上，寻求传统材料语言与当代艺术精神的契合点。正确的认识和理解绘画材料的自身表现力和审美特征，一方面继承和发展传统，另一方面吸收和借鉴国外优秀的艺术精华，有助于把握材料的材质语言以及相应的表现方法，丰富重彩画自身个性化的艺术语言。 第一章主要从传统壁画和传统工笔重彩画两个方面，来探析现代工笔重彩画的历史溯源。第二章是分析现代工笔重彩画材料语言的新探索，具体从审美观念、重彩画的本体语言以及新材料、新技术为重彩画带来的新契机三个方面进行阐述。第三章是从材料语言在创作中的意义和材料运用的反思两个方面，阐述材料语言在现代工笔重彩画创作中的现状。
[Abstract]:The ancients said: "to the world of fine materials, to the world of good wood, the United States of victory." Material, a kind of material form with its own aesthetic sense, is the material basis of artistic creation and the important carrier of artistic expression form. The different properties of materials, the use of different ways, in a specific aesthetic context to express different ideas and feelings. Through understanding and understanding of materials, contemporary artists effectively dissolve, reconstruct, explore, and the aesthetic of material ontology has been established and gradually become the main body carrying the spirit of culture. In this paper, we reunderstand the modern fine brushwork heavy color painting from the perspective of materials, and on the basis of exploring the development law of its material language and its unique aesthetic value, we seek the convergence point between the traditional material language and the contemporary art spirit. To correctly understand and understand the expressive power and aesthetic characteristics of painting materials, on the one hand, to inherit and develop tradition, on the other hand, to absorb and learn from the outstanding artistic essence of foreign countries, is helpful to grasp the material language and corresponding expression methods. Enrich the individual art language of the heavy color painting itself. The first chapter mainly analyzes the historical origin of modern meticulous painting from two aspects: traditional mural painting and traditional fine brush heavy color painting. The second chapter is to analyze the modern fine brushwork painting material language new exploration, specifically from the aesthetic concept, heavy color painting body language and new materials, new technology for heavy color painting bring new opportunities to elaborate three aspects. The third chapter is from the material language in the creation significance and the material use reflection two aspects, elaborated the material language in the modern fine brushwork heavy painting creation present situation.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
[Abstract]:The ancients said: "to the world of fine materials, to the world of good wood, the United States of victory." Material, a kind of material form with its own aesthetic sense, is the material basis of artistic creation and the important carrier of artistic expression form. The different properties of materials, the use of different ways, in a specific aesthetic context to express different ideas and feelings. Through understanding and understanding of materials, contemporary artists effectively dissolve, reconstruct, explore, and the aesthetic of material ontology has been established and gradually become the main body carrying the spirit of culture. In this paper, we reunderstand the modern fine brushwork heavy color painting from the perspective of materials, and on the basis of exploring the development law of its material language and its unique aesthetic value, we seek the convergence point between the traditional material language and the contemporary art spirit. To correctly understand and understand the expressive power and aesthetic characteristics of painting materials, on the one hand, to inherit and develop tradition, on the other hand, to absorb and learn from the outstanding artistic essence of foreign countries, is helpful to grasp the material language and corresponding expression methods. Enrich the individual art language of the heavy color painting itself. The first chapter mainly analyzes the historical origin of modern meticulous painting from two aspects: traditional mural painting and traditional fine brush heavy color painting. The second chapter is to analyze the modern fine brushwork painting material language new exploration, specifically from the aesthetic concept, heavy color painting body language and new materials, new technology for heavy color painting bring new opportunities to elaborate three aspects. The third chapter is from the material language in the creation significance and the material use reflection two aspects, elaborated the material language in the modern fine brushwork heavy painting creation present situation.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
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