油画风景的创作思考

发布时间：2019-01-28 10:50

【摘要】：人与自然的关系是人类探索的永恒主题。当人类在和大自然对话时发现大自然与人类有着截然不同的构造,它勃勃生气又变幻多端,带给我们美的感受。而我们则把自己的思想和感情放置于大自然中,再现自然或者重新创造自然。但是,当前很多油画家在创作中出现一种怪异的现象一味的去抄袭,重复先辈的创作风格和模式,而去创作自己的作品,而追求画面奇特,怪异的效果,让观者品味起来厌涩、难懂,而作品本身也失去了真正的价值。本文就这一现象以油画创作中的个性语言作为切入点,将从五部分分析油画创作中个性语言的重要性,和画家个性语言的的来源,是画家能够真正明白个性语言的意义,从而找到创作的切入点,创造出拥有自己语言的作品。其次谈一下油画创作的表现形式,及表现形式和个性语言的关系,及分析大师的个性语言都是怎么传达表现的。第四部分也是本文的重点,主要谈油画创作的个性语言的来源,涉及民族,地域,时代,及个人经历等等方面的深入挖掘,并参考了心理学和美学、画家传记等文献资料,挑选在世界知名的绘画大师的艺术作品,作为实证分析研究,遵循普遍辨证的规律,合理论证,更好的总结画家在油画创作中怎样表达个性语言的,同时也为观赏者提供了如何欣赏画家作品、品读画家作品含义和理解画家艺术风格与内心世界等等提供了参考和启发的意义。本文分为五部分,第一部分是全文的绪论,主要阐述了本课题的研究目的和研究意义,国内外相关的研究史回顾,本论文的研究内容和研究方法以及文章的框架和研究思路。第二部分阐述了油画风景创作灵感的启发,认为现实生活就是艺术创作的灵感源泉,但艺术来源于生活又高于生活。第三部分阐述了油画风景的形式语言,艺术家对自然的感受不同所产生的油画风景自然也不同,在创作油画风景作品的过程中就会形成自身的个性语言。第四部分阐述了油画风景作品中“有意味的形式”,不同的美术作品中有关线条、构图、色彩等的组合不同,这就是画家们对“有意味的形式”进行的追求。第五部分阐述了我在创作油画风景过程中对于东北地区农村景色的认识,包括色彩、构图、技法方面的感悟。
[Abstract]:The relationship between man and nature is the eternal theme of human exploration. When human beings talk with nature, they find that nature and human beings have very different structures. We put our thoughts and feelings in nature, reproduce or recreate nature. However, at present, many oil painters have a strange phenomenon in their creations, blindly plagiarizing, repeating the creation styles and models of their predecessors, and creating their own works, while pursuing the strange picture and strange effects, which makes the viewer feel sick of taste. Hard to understand, and the work itself lost its true value. Based on this phenomenon, this paper will analyze the importance of personality language in oil painting creation and the origin of the painter's personality language from five parts, so that the painter can really understand the meaning of personality language. In order to find the breakthrough point of creation, create their own language works. Secondly, it talks about the expression form of oil painting creation, the relationship between the expression form and the personality language, and the analysis of how the master's personality language conveys the expression. The fourth part is also the focal point of this paper, mainly talking about the source of individual language of oil painting creation, the deep excavation of nationality, region, time, personal experience and so on, and referred to the literature material such as psychology and aesthetics, painter biography, etc. Selecting the works of art of famous masters of painting in the world, as an empirical analysis, following the law of universal dialectics, reasonable argumentation, and better summing up how painters express their individual language in oil painting creation, At the same time, it also provides reference and inspiration for the viewer how to appreciate the painter's works, the meaning of reading the artist's works and the understanding of the artist's artistic style and inner world. This paper is divided into five parts, the first part is the introduction of the full text, mainly elaborated the research purpose and significance of this topic, the domestic and foreign related research history review, this paper research content and the research method, the article frame and the research thought. The second part expounds the inspiration of oil painting landscape creation, thinking that real life is the inspiration source of art creation, but art comes from life and is higher than life. The third part elaborated the oil painting landscape form language, the artist to the nature feeling different produces the oil painting scenery natural also is different, in the creation oil painting scenery work process will form own individuality language. The fourth part expounds the "meaningful form" in the oil painting landscape works, and the different combinations of lines, composition and color in different art works, which is the pursuit of the "meaningful form" by the painters. The fifth part expounds my understanding of rural scenery in Northeast China, including color, composition and technique.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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