当代艺术生态中中国版画的“重生”

发布时间：2019-08-14 16:24

【摘要】：从中国改革开放的提出到真正打开国门,从东方艺术和西方艺术开始交流,中国的传统东方艺术、传统的艺术形式和思维方式等面临着巨大的冲击和洗礼。在这样一个受西方当代艺术影响的艺术生态下,中国当代版画创作从简单的模仿、借鉴、跟随到开始从艺术语言的本体重新进行艺术创作的思考。如何变革中国的版画艺术、如何继承和发展中国的传统艺术、如何重新定义中国的当代版画艺术、如何适应中国当代艺术生态,必须重新审视艺术形式之间的界限。艺术发展有自身的规律,所有的艺术形式都是在相互融合、交汇的过程当中产生新的艺术形式,以适应时代对艺术审美和对艺术功能的要求。艺术的范畴越来越概念化、艺术的边界越来越模糊化,艺术本身承担了更多的社会涵义、哲学涵义和审美涵义。中国当代版画艺术必须重新自我审视、自我剖析,从艺术语言的角度进行语言的延伸、置换、转换。在当代艺术的语境下,重新定义版画的概念、形式、功能等,正确认识当代性、版画的艺术本体语言,成为中国当代版画"重生"的关键因素。
[Abstract]:From the proposal of China's reform and opening up to the real opening up of the country, the exchange between oriental art and western art, Chinese traditional oriental art, traditional art form and mode of thinking are facing great impact and baptism. Under such an artistic ecology influenced by western contemporary art, the creation of Chinese contemporary printmaking starts from simple imitation, reference to the beginning of re-artistic creation from the Noumenon of artistic language. How to change Chinese printmaking art, how to inherit and develop Chinese traditional art, how to redefine Chinese contemporary printmaking art, how to adapt to the ecology of Chinese contemporary art, we must re-examine the boundary between artistic forms. The development of art has its own law, all the art forms are in the process of fusion and intersection to produce new art forms, in order to meet the requirements of the times for art aesthetics and art function. The category of art is becoming more and more conceptualized, the boundary of art is becoming more and more vague, and art itself bears more social meaning, philosophical meaning and aesthetic meaning. Chinese contemporary printmaking art must re-examine itself, self-analyze, extend, replace and transform language from the perspective of artistic language. In the context of contemporary art, redefining the concept, form and function of printmaking, correctly understanding the contemporary nature and the artistic Noumenon language of printmaking have become the key factors of the "rebirth" of Chinese contemporary printmaking.
【作者单位】：山西大学商务学院;
【分类号】：J217

【相似文献】