黄药眠与马克思主义美学的价值论转向

发布时间：2018-03-20 01:00

本文选题：黄药眠　切入点：美学大讨论　出处：《学术月刊》2017年04期 　论文类型：期刊论文

【摘要】：黄药眠是当代中国美学史上价值论美学的开拓者,其"反右"前夕的演讲稿《美是审美评价》最早从价值论角度系统思考美学问题,具有重要的学术史价值。在20世纪50年代"美学大讨论"中,受马克思主义价值哲学启发,黄药眠对"美学四派"运用认识论分析美学的简单化思维进行了批判,并将视野从"主客模式"转到价值论视域讨论美学艺术问题,进而提出了美是"审美评价"的构想,形成了自己独树一帜的价值论美学观。黄药眠美学的"价值论转向",不仅突破了认识论美学"主客二分"的模式阈限,还变革了美学的研究范式,对此后"实践论美学"及其流变谱系中出现的各种理论分歧以及当下中国美学的发展建设仍具指导意义。黄药眠美学思想并未引起学界重视,但在当代中国美学史版图中,开创并彰显马克思主义美学的价值论维度,正是其赋予时代的最大理论贡献。
[Abstract]:Huang Yaomian is the pioneer of axiological aesthetics in the history of contemporary Chinese aesthetics. His speech "Beauty is Aesthetic Evaluation" on the eve of "Anti-right" is the earliest systematic reflection on aesthetic issues from the perspective of axiology. In 1950s, inspired by Marxist philosophy of value, Huang Yaomian criticized the simplified thinking of the "four schools of aesthetics" using epistemology to analyze aesthetics. And from the "subjective and objective mode" to the perspective of value theory to discuss the aesthetic art issues, and then put forward the concept that beauty is "aesthetic evaluation". It has formed its own unique aesthetic view of value theory. Huang Yaomian's "value theory turn" not only breaks through the threshold of "subject and object" in epistemological aesthetics, but also changes the research paradigm of aesthetics. It is still of guiding significance to the theoretical differences and the development and construction of contemporary Chinese aesthetics that have appeared in the "practical Aesthetics" and its evolution pedigree since then. Huang Yaomian's aesthetic thought has not attracted much attention from the academic circles, but in the history of contemporary Chinese aesthetics, it is still of great significance. To create and highlight the value dimension of Marxist aesthetics is its greatest theoretical contribution to the times.
【作者单位】：首都师范大学文学院;
【基金】：国家社科基金青年项目“黄药眠年谱整理及其文艺思想研究”(16CZW002)的阶段性成果
【分类号】：B83-0

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