知识美学的困惑与智慧美学的出路

发布时间：2018-04-04 11:23

本文选题：知识美学　切入点：智慧美学　出处：《当代文坛》2011年01期

【摘要】：近年来世界美学基本上囿于知识美学范畴。知识美学的根本缺憾在于坚持二元论,总是用对立的眼光看问题,总是对对立的双方有所取舍,如仅仅局限于西方美学主流话语地位,而对中国乃至印度美学熟视无睹;仅仅关注人与自我、社会、自然的对立,而对人与自我、社会、自然之间的和谐关系置若罔闻;仅仅注重审美趣味与知识谱系的建构,而对明白四达的审美智慧视而不见。改造知识美学的根本出路在于重构智慧美学。智慧美学的根本特征在于不再执著于二元论,主张美丑、是非、善恶平等不二,乃至对人类的一切美学资源不加取舍,对人与自我、社会、自然的矛盾与和谐关系不加取舍,对趣味、知识、智慧不加取舍。
[Abstract]:In recent years, world aesthetics is basically confined to the category of knowledge aesthetics.The fundamental drawback of knowledge aesthetics lies in adhering to dualism, always looking at problems from the opposite perspective, always choosing between the opposite sides, such as being confined to the mainstream discourse status of western aesthetics, and turning a blind eye to Chinese and even Indian aesthetics.It only pays attention to the antagonism between man and self, society and nature, but ignores the harmonious relationship between man and self, society and nature; only pays attention to the construction of aesthetic taste and knowledge genealogy, but ignores the aesthetic wisdom of understanding the four Das.The fundamental way to reform the knowledge aesthetics lies in the reconstruction of the wisdom aesthetics.The fundamental characteristic of wisdom aesthetics is that it is no longer clinging to dualism, advocating beauty and ugliness, right and wrong, equality between good and evil, and even no choice of all aesthetic resources of human beings, and no trade-off between human beings and self, society, and the contradiction and harmony of nature.There is no choice between taste, knowledge, and wisdom.
【作者单位】：天水师范学院文史学院;
【基金】：国家社科基金项目“中国文学经典的生命智慧研究”阶段性成果,项目编号:08BZW010
【分类号】：B83-0

【共引文献】