韦尔施美学思想研究

发布时间：2018-05-21 08:58

本文选题：沃尔夫冈·韦尔施 + 后现代　；参考：《陕西师范大学》2011年硕士论文

【摘要】：我们的时代正处于一个审美泛化的社会转型期,在社会、政治、经济、文化、艺术、哲学等领域发生着急速而深刻的转变。一方面,普遍性的审美化潮流席卷而来,蔓延至人类实践的每个层面；与此同时,美又极易在转瞬间就碎化为一个个片段。流动变化的现实向传统美学发起挑战,对美学提出新的任务与要求。德国学者沃尔夫冈·韦尔施作为一名后现代美学家,洞察到这种变化,提出了“日常生活审美化”的重要命题,并进一步把握分析产生这种现象的深层动因,进而提出了重构美学的设想。对韦尔施美学思想的深入研究与探讨,正是对我们正在遭遇的现实变化的正视与回应,它为我们理解当代问题提供了一种新的思路。本文拟从后现代语境入手,从后现代观、日常生活审美化和重构美学三个方面考察韦尔施的美学思想,并运用韦尔施的“横向理性”思路进一步考察它们之间的相互关系,力图全面把握韦尔施的美学思想,揭示韦尔施美学的实践性与流动性特征。绪论部分是对韦尔施其人及其学术特点的介绍,并在总结了韦尔施美学思想的研究现状、研究价值后提出本文的研究方法与研究内容等。第一部分剖析韦尔施的后现代观,这是韦尔施美学思想形成的背景和方法论基础。后现代是我们当今社会的重要转向,最近几十年来我们的社会政治、经济生活、艺术、科学、哲学与理论等领域都发生了剧烈的变化,而学术界对于这一变化的阐述争议颇多,后现代综合来看更像是一个维特根斯坦式的“家族相似的”开放性概念。韦尔施对于后现代的认定首先是从它和现代的关系入手的,他认为后现代孕育于现代性之中,这个概念既包括了现代性业已完成的特征,也有着新的构想,我们借助后现代能够更自觉、更广泛地地理解现代。多元性是后现代的重要品格,是我们理解后现代的关键,而“横向理性”是后现代的基本思维模式。第二部分主要探讨了后现代状况下的图景,即我们当前所遭遇的全球审美化或日常生活审美化。事实上,早在现代性中就蕴含着日常生活审美化的趋势。对日常生活的关注是20世纪哲学的重要转向,工具理性对日常生活的压抑导致人的异化,于是人们试图将审美经验引入日常生活,或发掘日常生活本身的创造性,以抵抗工具理性的入侵。随着人类进入物质极大繁盛的消费社会,审美泛化现象明显增强,不仅覆盖生活浅表,也波及到人类生活的更深层面,甚至影响到现实本身的基础建构,诸如紧随新材料技术变革的物质现实、作为传媒传递后果的社会现实,以及作为自我设计导致的主体现实。导致这种状况的原因是消费意识形态主宰下的享乐主义,如今它已成为我们新的文化基体。第三部分是针对日常生活审美化的现状对美学提出的新任务和新要求。韦尔施立足于审美泛化的后现代语境,深刻反思传统美学以感性为敌、研究范围、对象单一的局限性,运用“横向理性”的方法分析审美概念和审美感知的含混复杂性,又以真理与审美、伦理与审美的通融为例加以说明,从而为美学学科的拓展寻找依据,建构涵盖感知所有领域、超越学科界限、开放、多元的新型美学,使美学成为我们理解现实的一个广泛、也更普遍的媒介。结语部分试图以韦尔施的美学研究说明,真正的美学始终处于流动与发展之中,美学工作者应始终从我们所认识、所感受的现实出发,对实践发展的不同阶段、不同领域的审美活动与审美对象进行把握与认识,以建构或完善符合其自身发展规律的美学学科。
[Abstract]:Our time is in a period of aesthetic generalization, which has changed rapidly and profoundly in the fields of society, politics, economy, culture, art, philosophy and other fields. On the one hand, the universal aesthetic trend is sweeping and spreading to every level of human practice. At the same time, beauty is easily broken into pieces at the moment. As a postmodern Aestheticist, the German scholar Wolfgang Welsh, as a post-modern Aestheticist, pointed out the important proposition of "the aestheticization of daily life", and further made the deep motivation of the analysis of this phenomenon. The deep study and discussion of the aesthetic thought of Vern is the face and response to the actual changes we are experiencing. It provides a new way of thinking for us to understand the contemporary problems. This paper, starting with the postmodern context, examines three aspects of the postmodern view, the aestheticization of daily life and the aesthetics of reconstruction. Ca Welsh's aesthetic ideas, and the use of Welsh's "lateral rationality" to further examine the relationship between them, try to grasp the aesthetic thoughts of vershi and reveal the practical and fluidity characteristics of the Weill's aesthetics.
The introduction part is the introduction of vershi and its academic characteristics, and summarizes the research status of the Weil esthetics thought, and puts forward the research methods and research contents after the study of the value.
The first part analyses the postmodern view of versn, which is the background of the formation of Weill's aesthetic thought and the basis of methodology. Post-modernism is an important turn in our society. In recent decades, our social politics, economic life, art, science, philosophy and theory have changed dramatically in the last few decades, and the academic circles have taken this change to this change. The postmodern comprehensive view is more like a Wittgenstein type of "family similar" open concept. Vern's recognition of post modernity begins with the relationship between it and the modern. He thinks that postmodernism is conceived in modernity, which includes both the characteristics that have been completed in modernity and the concept of modernity. The new idea is that we can understand modernity more consciously and more widely with the help of postmodernism. Pluralism is the important character of post modernity, and the key to understanding postmodernism, and "lateral rationality" is the basic mode of thinking of post modernity.
The second part mainly discusses the picture of the post-modern situation, that is, the global aestheticization that we are experiencing at present, or the aestheticization of daily life. In fact, the trend of aestheticization of daily life is contained in the modern nature. The attention to daily life is the important turn of Philosophy in twentieth Century, and the repression of tool reason to daily life leads to people. Alienation, so people try to introduce aesthetic experience into daily life, or to discover the creativity of daily life itself, to resist the invasion of instrumental rationality. As human beings enter into a huge and prosperous consumer society, the phenomenon of aesthetic generalization is obviously enhanced, not only covering the shallow form of life, but also affecting the deeper surface of human life, and even affecting the reality. The basic construction of itself, such as the material reality that follows the changes in the new material technology, the social reality as the consequence of the transmission of the media, and the main reality as a result of self design, is the cause of the hedonism under the domination of consumption ideology, which has become our new cultural matrix.
The third part is a new task and new requirement for aesthetics, which is based on the post-modern context of aesthetic generalization, and is deeply reflected on the limitations of the traditional aesthetics as the enemy of sensibility, the scope of the research and the single object, and the analysis of the ambiguity of the aesthetic concept and aesthetic perception by the method of "lateral rationality". In addition, it takes the integration of truth and aesthetics, ethics and aesthetics as an example to illustrate, so as to find the basis for the development of the aesthetic subject, to construct a new aesthetics that covers all fields of perception, beyond the boundaries of disciplines, open and pluralistic, and makes aesthetics a broad and more universal medium for us to understand the reality.
The conclusion part tries to show that the real aesthetics is always in the flow and development, and the aesthetic workers should always grasp and understand the different stages of the development of practice and the aesthetic objects in different fields from the realities we know and feel. The discipline of aesthetics in the law of development.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：B83-0

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