回归审美经验——建立美学基点的尝试

发布时间：2018-06-16 23:55

本文选题：审美经验 + 情感　；参考：《未来与发展》2013年08期

【摘要】：长期以来,美学偏离自身的基本任务,即对审美经验的分析和描述,以致成为变相的形而上学,陷入空洞模糊的境地。美学可以用心理学、语言学等方法分析和描述严格的审美经验,以确定其区别于其他经验的基本性质、构成要素和活动方式。但审美经验并不是一个封闭的系统,其中不仅包含有感觉、情感、想象等活动,也容纳了理性认识、价值判断,因而形成不同层次的美。同时,审美经验密切地参与到社会交往的过程中,因而体现着丰富的社会文化内涵。然而,这并不会瓦解纯粹的审美经验的界限,相反,只有建立起关于这种审美经验的完整理论,美学才能确定自身主题和原则,与认识、道德、文化、形而上学等领域建立起有效的联系,并清晰地解答由此产生的种种问题。
[Abstract]:For a long time, aesthetics deviates from its basic task, that is, the analysis and description of aesthetic experience, so that it becomes metaphysics in disguise and falls into an empty and vague situation. Aesthetics can use psychology, linguistics and other methods to analyze and describe the strict aesthetic experience, in order to determine the basic nature, constituent elements and activity mode of the aesthetic experience, which are different from other experiences. But aesthetic experience is not a closed system, which not only includes activities such as feeling, emotion and imagination, but also contains rational cognition and value judgment, thus forming different levels of beauty. At the same time, aesthetic experience is closely involved in the process of social communication, so it embodies rich social and cultural connotations. However, this does not break down the boundaries of pure aesthetic experience. On the contrary, it is only by establishing a complete theory of such aesthetic experience that aesthetics can determine its own themes and principles, with knowledge, morality, culture, Metaphysics and other fields to establish effective links and clear answers to the resulting problems.
【作者单位】：山西师范大学文学院;
【基金】：国家社科基金项目“十八世纪英国美学学派研究”(11CZX073) 山西省“高等学校青年学术带头人支持计划”(2012)
【分类号】：B83-0

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