二十世纪末“多元化”音乐在中国的发展

发布时间：2018-01-02 08:04

本文关键词：二十世纪末“多元化”音乐在中国的发展　出处：《吉林艺术学院》2012年硕士论文　论文类型：学位论文

更多相关文章： 多元化 创作 现代主义 技法 后现代主义

【摘要】：“多元化”这种创作形式自古有之，然而从二十世纪末直至现今，这种创作形式逐渐成为了主流手法，这些作品既含有现代主义以及后现代主义所产生多种新型作曲技法，又有部分作品蕴含着传统的调性与和声，，仿佛一个巨大的载体，出现了以往所能出现的所有内容，当然这些并不是原样的重复传统，这种重复是站在继承与发展的立场上进行的。因此我们要想透彻的分析这种创作手法，必须先弄清其根源性。本文意图通过分门别类的介绍二十世纪以后出现的几大现代乐派，来分析在世纪末出现的“多元化”音乐的原因；并且重点研究了二十世纪末出现的“多元化”的音乐创作在中国的发展与创作特征，以及其代表作品。
[Abstract]:The form of "pluralism" has existed since ancient times. However, from the end of 20th century to the present, this form of creation has gradually become the mainstream technique. These works not only contain modernism and postmodernism to produce a variety of new composition techniques, but also some works contain the traditional tonality and harmony, as if a huge carrier. There is all the content that can appear in the past, of course, these are not the same repetition tradition, this kind of repetition is carried out from the standpoint of inheritance and development. Therefore, we want to thoroughly analyze this creative technique. We must first find out the root causes. This paper intends to analyze the causes of "pluralistic" music at the end of the century by introducing several major modern music schools after 20th century. In 20th century, the author focuses on the development and characteristics of pluralistic music creation in China, as well as its representative works.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J609.2

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