郑觐文研究

发布时间：2018-01-02 12:42

本文关键词：郑觐文研究　出处：《南京艺术学院》2011年硕士论文　论文类型：学位论文

【摘要】：郑觐文是二十世纪初中国著名的民族音乐家、音乐社会活动家,他创办了当时在上海颇具影响力的大同乐会,为中国民族音乐的振兴进行了艰难探索。由于原始资料的缺乏和社会思潮的变迁,长期以来音乐界对郑觐文的评价诸说纷纭、褒贬不一,尚缺乏深度和广度,存在非此即彼的片面化倾向。本文以当时报刊上有关郑觐文及其相关的原始资料为依据,并展开定向调查,结合郑觐文撰写的《中国音乐史》等专著论文,从郑觐文生平、创办大同乐会、学术论著、音乐思想等几个部分对郑觐文本人及其音乐活动进行了综合性的分析论述,将郑觐文的音乐活动和思想置于具体的历史时空背景下,厘清有关郑觐文的诸多疑团,客观指出其历史局限性,深刻挖掘其历史价值和影响,还原一个真实、客观的郑觐文。
[Abstract]:Zheng Yuwen was a famous Chinese national musician and music social activist in early 20th century. He founded the influential music association in Shanghai at that time. For a long time due to the lack of original materials and the changes of social trend of thought, the music circles have different comments on Zheng audience, and lack of depth and breadth. There is a one-sided tendency of either one or the other. This article is based on the original materials about the audience of Zheng Wen and its related materials in the newspapers and periodicals at that time, and carries out a directed investigation, combined with Zheng Youwen's "History of Chinese Music" and other monographs. From the life of Zheng Yu-wen, the founding of the concert of music, academic works, music thoughts and other parts of the comprehensive analysis of Zheng and his music activities. Put Zheng Yu-wen 's musical activities and thoughts under the specific historical time and space background, clarify many doubts about Zheng Yu-wen, objectively point out its historical limitations, deeply excavate its historical value and influence, and restore a reality. An objective audience of Zheng.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J609.2

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