肖邦降E大调夜曲（作品9之2）九个不同音响版本的速度分析

发布时间：2018-01-05 18:05

本文关键词：肖邦降E大调夜曲（作品9之2）九个不同音响版本的速度分析　出处：《福建师范大学》2011年硕士论文　论文类型：学位论文

【摘要】：作为一种“二度创作”,钢琴表演无不体现着演奏家对乐曲的个人理解。正所谓“世上没有一片叶子是相同的”,每一位演奏家对乐曲的理解也不尽相同,各具特色。这种差异性由此造就了音乐表演的丰富性和不可重复性,体现出音乐表演创造的精髓。众所周知,音乐是一门时间的艺术。对于音乐作品来说,速度是时间层面上的一个重要维度,它直接决定着音乐作品音响呈现的基调,也影响着听众对音乐作品的情感体验。基于此,本文试图以肖邦降E大调夜曲(作品9之2)为论述中心,选取当今九位具有国际声誉钢琴演奏大师(克劳迪奥·阿劳、阿图尔·鲁宾斯坦、丹尼尔·巴伦博伊姆、尼尔森·弗赖里、伊蒂儿·比芮、玛丽亚·皮尔斯、毛里奇奥·波利尼、弗拉基米尔·霍洛维茨和傅聪)的音响版本为例,采用praat声学分析软件,围绕九位钢琴演奏大师对该作品速度处理的同一性和差异性进行分析,试图寻找其内在的逻辑规律,以期对音乐表演和教学实践提供借鉴。
[Abstract]:As a kind of "second creation", the piano performance reflects the performer's personal understanding of the music. As the saying goes, "no leaf in the world is the same", and every performer has different understanding of the music. Each has its own characteristics. This difference creates the richness and unrepeatability of musical performance, and reflects the essence of musical performance creation. As we all know, music is an art of time. For music works, speed is an important dimension in time level, which directly determines the tone of sound presentation of music works. It also affects the audience's emotional experience of music. Based on this, this paper attempts to focus on Chopin's Nocturne in E major (Op. 9 / 2) and selects nine internationally reputable pianists (Claudio Arau, Atul Rubenstein). Daniel Barenboym, Nielsen Freeri, Ittier Biri, Maria Pierce, Mauricio Pollini, Vladimir Horowitz and Fu Tsung, for example. Using praat acoustic analysis software, this paper analyzes the identity and difference of the speed processing of the work by nine piano playing masters, and tries to find out its inherent logic law. In order to provide reference for music performance and teaching practice.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J624.1

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