刍议勃拉姆斯晚期钢琴小品Op118的内在联系

发布时间：2018-01-10 21:00

本文关键词：刍议勃拉姆斯晚期钢琴小品Op118的内在联系　出处：《福建师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：勃拉姆斯晚期的钢琴小品以其独特的风格与深刻的哲思闻名于世。本文以作曲家创作于1893年的Op118为例,通过对曲式结构、体裁运用、调式调性、情绪与速度四个方面阐述作品内部六个小品之间的相互联系,同时进一步浅析这些联系的形成原因。笔者发现各小品在曲式结构上存在着统一性、体裁呈现出多样性、调性表现出倾向性,情绪与速度呈现出悲剧性与平衡性特征。而这些缜密的内在逻辑与作曲家本身矛盾内在的性格、执着的音乐信仰不无关联,小品整体布局所呈现出的内在联系正是作曲家个性内因深彻渗透的结果。本文剖析作品内在联系、成因及演奏应用的目的便在于能提高串联演绎整部作品的驾驭能力,在较长时间的演奏中突出作品的整体感、完整性、准确地表现出音乐作品深刻的内涵,也为理解Op118以及同类型的钢琴小品提供新的视角。
[Abstract]:Brahms' later piano sketches are famous for their unique style and profound philosophical thinking. This paper takes Op118, which was created by the composer in 1893, as an example. Emotion and speed of the four aspects of the work of the six pieces of the interrelationship between the further analysis of the formation of these links. The author found that there is unity in the structure of the composition of each sketch. Genres show diversity, tone shows inclination, emotion and speed show tragic and balanced characteristics, and these careful internal logic and the composer itself contradictory internal character. Persistent musical belief is not unrelated, the overall layout of the sketch presents the internal relationship is the composer's internal causes of the deep penetration of the results. This article analyzes the internal relationship of the work. The cause of formation and the purpose of performance application is to improve the ability to master the whole works in series, to highlight the overall sense and integrity of the works in a long period of performance, and to accurately show the profound connotation of the music works. It also provides a new perspective for understanding Op118 and the same type of piano sketches.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J624.1;J614

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