李斯特四首交响诗的诗意体现

发布时间：2018-01-16 00:26

本文关键词：李斯特四首交响诗的诗意体现　出处：《中央音乐学院》2011年硕士论文　论文类型：学位论文

【摘要】：在西方音乐史上,交响诗这一体裁盛行于19世纪下半叶及20世纪初,是由李斯特首创的,作为贝多芬之后交响音乐领域最重要的创新体裁,交响诗既继承了序曲的传统,又融合了交响曲的特征,成为19世纪举足轻重的音乐体裁形式。同时,李斯特提出“标题音乐”这一术语,并通过交响诗的创作,证明了他所理解的标题音乐,从而使交响诗成为标题音乐的典范。李斯特交响诗所表现的标题性和诗意理念,是19世纪标题音乐最丰富的体现。第一章,追溯了交响诗的发展历史,并简要的介绍了李斯特交响诗的创作。第二章,在李斯特的十三首交响诗中选取了不同类型的四首交响诗,解读了标题的由来并对其进行了形式分析。第三章,根据李斯特提出的诗意理念,探讨了这些交响诗的动机类型或主题发展、形式结构与标题性叙述之间的互动关系,并尝试了一种结构主义的解读。在余论中介绍了李斯特的同时代乃至后代作曲家的交响诗创作。李斯特的交响诗不仅是19世纪的一种重要的交响乐体裁,它的凝炼的形式结构和诗意的内涵,为我们了解19世纪浪漫主义音乐的理想具有重要意义。
[Abstract]:In the history of western music, symphonic poetry prevailed in the second half of 19th century and the beginning of 20th century. It was first created by Liszt, as the most important creative genre in the field of symphony music after Beethoven. Symphonic poetry not only inherits the tradition of prelude, but also merges the characteristics of symphony, and becomes the important genre of music in 19th century. At the same time, Liszt put forward the term "title music". And through the creation of symphonic poems, he proved that he understood the title music, so that symphonic poems become a model of title music, Liszt symphonic poems show the title and poetic ideas. In 19th century, title music is the most abundant embodiment. The first chapter traces the development history of symphonic poems and briefly introduces the creation of Liszt's symphonic poems. Chapter two selects four different types of symphonic poems in Liszt's 13 symphonic poems. The third chapter, according to the poetic idea put forward by Liszt, discusses the motive types or the development of the theme of these symphonic poems. The interaction between formal structure and title narration, and try to interpret a structuralism. In the conclusion, it introduces Liszt's symphonic poems of his contemporaries and even future composers. Liszt's symphonic poetry is not only an important symphony genre in 19th century, but also the formal structure and poetic connotation of its condensation, which is of great significance for us to understand the ideal of romantic music in 19th century.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J605

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