温德青三部打击乐作品研究

发布时间：2018-01-15 18:40

本文关键词：温德青三部打击乐作品研究　出处：《上海音乐学院》2011年硕士论文　论文类型：学位论文

【摘要】：现代音乐以其迅猛的发展速度和多元化的发展方式备受着关注。现代打击乐,这一现代音乐分支的发展在错综复杂的局面中显得更为突出。对现代打击乐创作的关注刻不容缓。及时的梳理与归纳总结有助于现代打击乐创作的长足发展。因此,本论文将研究视角定格在“现代打击乐”这一点上。瑞士籍华裔作曲家温德青于2007年回国,在不断创作现代音乐作品的同时一直致力于现代音乐在中国的传播与推广工作,为中外音乐之间的交流做出了积极的贡献。他的创作灵感多来自中国的传统艺术与哲学,作品结合于复杂与清晰、玄机与合理、震撼与精妙、奇想与严谨、明确与深刻之间,力图用不同的方式创作不同风格的作品。他的身上,既有扎实的西方作曲技术,又根深蒂固的蕴含着中国的音乐传统。但由于归国时间不长,加之其作品均由瑞士和德国音乐出版社出版,CD专集由意大利米兰STRADIVARIUS公司和瑞士音乐家协会出版,故国内知晓其人以及作品的并不多。实际上,像温德青这样旅居国外多年后归国,为中西方音乐艺术之融合架起桥梁的华裔作曲家是需要被认知的。他们的作品更需要被传播。本文试图通过对温德青三部打击乐作品：《悲歌》、《功夫》、《杨柳不怨箫》的深入分析研究,探索其现代打击乐作品的创作手法和思路,深入探讨其在中西融合方面所做的贡献。希望通过对温德青及其现代打击乐作品的深度解析,从而进一步引起人们对海外中国作曲家和中国现代音乐创作发展的关注。同时,试图探索现代打击乐创作的发展趋势及其发展所带来的意义。
[Abstract]:Modern music has attracted much attention with its rapid development speed and diversified development mode. Modern percussion music. The development of this branch of modern music is more prominent in the complicated situation. It is urgent to pay attention to the creation of modern percussion music. Here. This thesis focuses on modern percussion music. Swiss Chinese composer Wen Deqing returned to China in 2007, and has been devoted to the dissemination and promotion of modern music in China while constantly creating modern music works. He made a positive contribution to the communication between Chinese and foreign music. His creative inspiration comes from Chinese traditional art and philosophy. His works are combined with complexity and clarity, mystery and rationality, shock and refinement, fantasy and rigour. Between clarity and profundity, he tries to create works of different styles in different ways. His body has both solid Western composition technology and deep-rooted Chinese musical tradition. But due to the time of returning home is not long. In addition, his works are published by the Swiss and German Music Publishing House and published by the STRADIVARIUS Company in Milan, Italy, and the Swiss musicians Association. Therefore, not many people and works are known in China. In fact, people like Wen Deqing returned home after many years of living abroad. Chinese composers who build bridges between Chinese and Western musical art need to be recognized. Their works need to be disseminated. This paper attempts to explore the creative techniques and ideas of Wen Deqing's modern percussion works through the in-depth analysis and study of three percussion works of Wen Deqing: sad song, kung fu, and willow not resentful Xiao. Deeply discuss its contribution to the integration of China and the West. Hope to analyze the depth of Wen Deqing and his modern percussion works. Therefore, people pay more attention to overseas Chinese composers and the development of Chinese modern music creation. At the same time, we try to explore the development trend of modern percussion music creation and its significance.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J632.5

【引证文献】