无言之美——论杜兆植先生《G大调大提琴协奏曲》

发布时间：2018-01-17 01:01

本文关键词：无言之美——论杜兆植先生《G大调大提琴协奏曲》　出处：《内蒙古师范大学》2004年硕士论文　论文类型：学位论文

【摘要】：本文立足于以蒙古族音乐风格为主体，融合西方大小调作曲技法创作完成的《G大调大提琴协奏曲》(2000)，尝试从社会人文学科的层面与作曲技术结构的层面相互融合、相互渗透的视角，对作品的创作技法、艺术思想做一分析、探究，并以此来结构全文：第一部分为《G大调大提琴协奏曲》的作曲技术分析，包括运用申克理论所作的结构分析，和声的调式化处理和运用主题动机所作的旋律分析三个章节。第二部分为《G大调大提琴协奏曲》的思想内涵探究，，包括作品中所蕴含的北方草原文化的哲理性思索和作品中所蕴含的无言之美两个章节。对杜兆植先生及至内蒙古当代作曲家的重要作品，从上述两方面进行深层面的剖析与探究，时至今日，笔者仍未查阅到与之相关的专论或著作。基于此，本论文的撰写希冀为这一课题的深入探寻提供较为有益的启示。 “眉头无俗务，笔下有千秋”。杜兆植先生既有着西方传统音乐文化的深厚底蕴与人文关怀，又有着草原音乐文化独有的情致与意态，以其2000年创作的《G大调大提琴协奏曲》为作曲技术与艺术思想的研究个案，对当代中国音乐文化尤其是内蒙古音乐文化发展中诸多问题的研究与梳理，无疑是大有裨益的。这也是本文对这一作品的技术部分与艺术思想部分作较深入研究的契机与目的所在。
[Abstract]:This paper is based on the Mongolian music style as the main body, the integration of Western major minor composition techniques completed by the "G major cello Concerto" 2000). This paper attempts to analyze and explore the creative techniques and artistic thoughts of the works from the perspectives of the social humanities and the technical structure of composing music from the perspective of mutual penetration, and to construct the full text on this basis: The first part is the technical analysis of the composition of cello concerto in G major, including the structural analysis based on Schenck's theory. There are three chapters on the melodic analysis of harmonic modulation and the use of thematic motivation. The second part is the study of the ideological connotation of cello concerto in G major, including the philosophical thinking of the northern grassland culture contained in the works and the silent beauty contained in the works. The important works of Mr. du Zhaozhi and the contemporary composers of Inner Mongolia are analyzed and explored from the above two aspects to this day. The author has not yet consulted the related monographs or works. Based on this, the author hopes to provide some useful enlightenment for the further exploration of this subject. Du Zhaozhi has not only the profound and humanistic concern of the western traditional music culture, but also the unique emotion and intention of the grassland music culture. Taking the cello concerto in G major written in 2000 as a case study of composing techniques and artistic thoughts, this paper studies and combs many problems in the development of contemporary Chinese music culture, especially in Inner Mongolia. This is the opportunity and purpose for this article to make a deeper study on the technical part and the artistic thought part of this work.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J647

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