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从古筝协奏曲《临安遗恨》的创作成功谈筝乐发展

发布时间:2018-01-28 23:33

  本文关键词: 回顾 筝史 《临安遗恨》 展望 前景 出处:《南京师范大学》2002年硕士论文 论文类型:学位论文


【摘要】: 《临安遗恨》是一首由作曲家何占豪先生创作的古筝协奏曲。它的旋律优美动听、饱含情感,令听众深深为之感染。1995年,,《临安遗恨》获得中国文化部教育司颁发的优秀创作奖。一首大型古筝作品在短短几年时间里能得到如此广泛流传,受到群众喜爱,这在古筝艺术发展史上可谓前所未有、十分难得。 音乐作品的质与量对一门器乐艺术的发展有着直接的影响。筝乐也是如此。史料中记载的许多有关筝的诗篇和曲谱都可以证明筝乐在古时的辉煌。近代,伴随着长期的历史发展和变迁,筝在全国流传很广。根据流行地域的不同,逐步形成了各具特点的地方流派。而这些流传在各地的筝曲为先辈所传,实乃珍贵的传统筝曲。 古筝从五十年代至今的半个世纪中,无论是乐曲还是演奏技巧都有了飞快发展,使得古筝艺术迈进崭新的时代。这期间,筝乐创作队伍由小到大,创作水平由低到高,创作形式由单一到多元,可以说在各个方面都取得了长足的进步。同时,这些筝乐作品也好象一面面镜子,折射出所处时代的印记。 当代筝曲是由“传统筝曲”和“创作筝曲”两部分组成的,多元化是当前筝乐发展的定势。我们一方面要发扬传统,对传统筝曲着力整顿和继承;另一方面要锐意创新,大力创编新的筝曲。二者是繁荣发展古筝艺术不可分割的两个方面。 筝是一种古老的乐器,有着悠久的历史。同时它又充满着生命力,因为筝在创作、演技、器制及人才的培养等方面具备着永恒发展的潜在力量。我们应该共同关心这株奇葩的健康成长,使古筝能得到更多人的热爱和参与,愿这门艺术能有更加美好而光辉的未来。
[Abstract]:Lin'an enmity is a zither concerto composed by composer He Zhanhao. Its melody is beautiful and full of emotion, which deeply infects the audience. 1995. Lin'an 's regret was awarded the excellent creation Award by the Education Department of the Chinese Ministry of Culture. In just a few years' time, a large guzheng work has been so widely circulated and loved by the masses. This is unprecedented in the history of the development of Zheng art, very rare. The quality and quantity of musical works have a direct impact on the development of an instrumental music art. So is Zheng music. Many poems and compositions about Zheng recorded in historical materials can prove the brilliance of Zheng music in ancient times. Along with the long-term historical development and changes, Zheng spread widely throughout the country. According to the different epidemic regions, gradually formed the local schools with different characteristics. It is a precious traditional zither. Guzheng from 50s to the present half century, both music and performance skills have developed rapidly, making the Zheng art into a new era. During this period, Zheng music creation team from small to large. The creation level is from low to high, and the form of creation is from single to pluralistic, it can be said that great progress has been made in all aspects. At the same time, these Zheng music works are like a mirror, reflecting the imprint of the era in which they live. The contemporary Zheng music is composed of "traditional Zheng music" and "creating Zheng music". Diversification is the fixed trend of the development of Zheng music at present. On the one hand, we should carry forward the tradition and make great efforts to rectify and inherit the traditional Zheng music. On the other hand, we should make great efforts to innovate and create new Zheng music, which are two aspects of the prosperity and development of the art of guzheng. Zheng is an ancient musical instrument, has a long history. At the same time, it is full of vitality, because the Zheng in the creation, acting. There is a potential power for the eternal development in the fields of equipment system and talent cultivation. We should care about the healthy growth of this wonderful flower so that more people can love and participate in the guzheng. May this art have a brighter and brighter future.
【学位授予单位】:南京师范大学
【学位级别】:硕士
【学位授予年份】:2002
【分类号】:J648.32

【引证文献】

中国期刊全文数据库 前3条

1 赵晓强;;《高山流水》的鉴赏研究[J];湖北函授大学学报;2011年11期

2 张熙莹;;古筝曲《高山流水》赏析[J];芒种;2013年09期

3 王安潮;;悲壮凄婉 撼人心魄——古筝协奏曲《临安遗恨》解析[J];镇江高专学报;2013年02期

中国博士学位论文全文数据库 前1条

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中国硕士学位论文全文数据库 前7条

1 周浩然;近二十年马鞍山市社会古筝音乐教育发展研究[D];安徽大学;2010年

2 宫婵;筝曲复调技法研究[D];西南大学;2011年

3 兰庆炜;河南板头曲传承研究[D];新疆师范大学;2011年

4 杨艳;二十世纪五、六十年代筝乐的传承、创新及其表现特点[D];南京艺术学院;2007年

5 杨悦;对当代古筝艺术西化趋势的思考[D];东北师范大学;2010年

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7 张丽娜;古筝协奏曲的和声技法研究[D];山东师范大学;2012年



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