肖邦e小调第一钢琴协奏曲研究

发布时间：2018-01-29 04:18

本文关键词： 肖邦小调第一钢琴协奏曲研究　出处：《山东师范大学》2002年硕士论文　论文类型：学位论文

【摘要】： 肖邦(1810～1849)，波兰19世纪著名钢琴诗人。短短39年的一生中，肖邦向世人诠释了“诗人”、“浪漫”、“钢琴”、“故乡”。钢琴是肖邦创作的主要载体，而肖邦的创作又拓宽了钢琴的表现力。e小调第一钢琴协奏曲是他一生中最重要的作品之一，也是最能够体现他独特的浪漫主义情怀的作品。从此曲的曲式、结构框架等方面可以看出：作者在乐曲中大段运用了巴赫、贝多芬等古典大师的典型创作手法，因此无法回避作者对古典主义审美理念的尊崇；但是乐曲内部的细致构思所确切表达出作者的心情，使肖邦独特的浪漫主义情怀历久弥新。第一乐章，双呈示部奏鸣曲式。此乐章的曲式是非常古典的，由管弦乐队演奏第一呈示部，预示着钢琴的各个主题；第二呈示部由钢琴奏出；再现部中对乐队和钢琴做了缩减与结合。而对浪漫主义诗情画意的表现始终贯穿着乐曲的始终，其典型代表就是乐章中对浪漫主义“长短句式”的频繁运用。第二乐章，变奏曲式，浪漫曲。体裁上属于接近于夜曲的作品，着重于描写安静的背景下内心细微情感的“独白”。乐曲基于对主要主题的初次呈示与两次变奏，运用了多种细腻的主题发展手法，使得这个乐章能够表达作者的深深爱意。第三乐章，双主题回旋曲式。这是一个对民间风情表达的乐章，乐章中贯穿始终的回旋中心是作为波兰三大民间音乐基石之一的“克拉科夫舞曲”。几个插部的写作致力于对钢琴技巧的炫技性表现，对演奏者的要求非常之高。同时，，此乐章中给予管弦乐队部分以极大的表现空间，使作品得以达到钢琴与乐队“竞奏”意义上的高度。
[Abstract]:Chopin 1810, 1849, Poland in 19th century, a famous piano poet. In a short life of 39 years, Chopin interprets "poet", "romance", "piano" to the world. "hometown". Piano is the main carrier of Chopin's creation, and Chopin's creation broadens the expression of piano. Piano Concerto No. 1 in E minor is one of the most important works in his life. From the music form, structure framework and other aspects can be seen: the author used Bach, Beethoven and other classical masters in the typical creative techniques. Therefore, it is impossible to avoid the author's respect for the classical aesthetic idea; But the detailed conception of the music accurately expresses the author's mood, which makes Chopin's unique romantic feelings last forever. The first movement, double presentation sonata form. The composition of this movement is very classical, by the orchestra playing the first presentation, foreshadowing the various themes of the piano; The second presentation section is played by the piano; In the reproduction section, the band and the piano are reduced and combined. But the expression of romantic poetry always runs through the music, and its typical representative is the Romantic "long and short sentence pattern" in the movement. The frequent use of The second movement, variations, romantic music. Genre is close to the Nocturne works. The monologue, which focuses on describing subtle emotions in the quiet background, is based on the initial presentation and two variations of the main themes, and uses a variety of delicate thematic development techniques. So that this movement can express the author's deep love. The third movement, the twin-theme cycle. This is an expression of folk customs. The center of rotation throughout the movement is "Krakow Dance", one of the three cornerstones of Polish folk music. The writing of several interludes is devoted to the dazzling performance of piano skills. At the same time, this movement gives the orchestra a great space of performance, so that the work can reach the height of the piano and the band's "competition".
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2002
【分类号】：J657.41

【引证文献】